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An intimate and readable account, filled with interesting and amusing anecdotes, of a highly creative period in English musical historyHubert J. Foss (1899-1953) is best known for his work as founder and first music editor for Oxford University Press. Foss promoted composers in England between the World Wars, most notably Ralph Vaughan Williams, William Walton, Constant Lambert, and Peter Warlock. The first part of this book is based on the memoirs of his wife Dora, who was herself a professional singer. The book - through the presentation of memoirs and letters - recreates a vivid picture of the musical world during the inter-war period when there was a renaissance of English music. Foss's work for OUP saw the music department expand from publishing a limited number of sheet music items to a comprehensive inventory of operas, orchestral compositions, chamber and vocal works, and piano pieces. Foss also greatly expanded the press's publication of books on music, music analysis, and music appreciation. Leaving OUP's music department in1941, Foss pursued a number of freelance musical occupations, serving as critic, reviewer, journalist, author and frequent broadcaster. The book includes letters sent to and received from such luminaries as Hamilton Harty,Constant Lambert, Edith Sitwell, Donald Tovey, Ralph Vaughan Williams, William Walton, Henry J. Wood, Arthur Bliss, Benjamin Britten, Roger Quilter, Percy Scholes, Leopold Stokowski, Michael Tippett, Thomas Hardy, James Joyce andWalter de la Mare. Many of the letters presented here have never been published before. An authoritative introduction by Simon Wright (Head of Rights & Contracts, Music, OUP) provides a detailed overview of Hubert Foss and his place in music publishing. STEPHEN LLOYD is the author of William Walton: Muse of Fire and Constant Lambert: Beyond the Rio Grande (both published by Boydell). DIANA SPARKES is the daughter of Hubert and Dora Foss. BRIAN SPARKES is her husband and an Emeritus Professor of Classical Archaeology.
This is the first study of the life and music of Balfour Gardiner (1877-1950), a composer of some distinction and a generous patron of British music. He made possible in a war-torn England the first performance of Holst's The Planets, and was a close friend of Delius, the plight of whose last years forms a tragic undercurrent to this book.
This acclaimed biography draws on first-hand accounts, including new material on Walton's circle of the 20s and 30s; the composer's work in film a particular focus.
An indispensable biography for anyone interested in Constant Lambert, ballet and British musical life in the first part of the twentieth century.
The Charities Acts Handbook is the latest guide to charity law. This new volume contains expert commentary and analysis of the 1992 and 2011 Charities Acts together with the full text of both Acts, copies of relevant statutory instruments and signposts to possible future areas for reform.
Presents twenty full-colour miniatures from Scottish private collections. This work accompanies an exhibition at the Scottish National Portrait Gallery in July 2006.
Portrait Miniatures from the Merchistion Collec tion is the fifth in a series of titles which examines the portrait miniature. This collection, which has never been on public display, was assembled on the London art market during the 1970s and 1980s. Scottish miniaturists from the late eighteenth and early nineteenth centuries are
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