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WINNER OF THE PULITZER PRIZE FOR NON-FICTION 2012Almost six hundred years ago, a short, genial man took a very old manuscript off a library shelf.
In Hamlet in Purgatory, renowned literary scholar Stephen Greenblatt delves into his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet. In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "e;poem,"e; they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly "e;prison house of souls"e; had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition. With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare--consummate conjurer that he was--into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost. This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers. This expanded Princeton Classics edition includes a new preface by the author.
A vibrant, modern biography of the writer, and suspected spy, Christopher Marlowe - Shakespeare's bolder, raunchier and more radical brother in arms, pen and ink.LONDON, LATE 16TH CENTURY. Townhouses quickly give way to overcrowded tenements and hovels; cobblestone lanes are filled with excrement and offal; bodies hang from gallows and severed heads are impaled on spikes for all to see. It's a place of repression, suspicion, censorship, and violence - for London to become the scene of astonishing creativity and intellectual daring someone truly revolutionary had to break through the status quo.ENTER CHRISTOPHER 'KIT' MARLOWE. A cobbler's son from Canterbury with no connections, no resources, and no social standing, he's an unlikely candidate for this role. But, having scrambled his way out of poverty and through a Cambridge education, he also enters London with nothing to lose. From inner city taverns to royal courts, Marlowe becomes a catalyst for change in the cultural landscape and a shadowy actor in the political one. By the time of his murder in 1593, the 29-year-old is the greatest and most revered playwright, poet, and rule-breaker of his time.In Dark Renaissance, Stephen Greenblatt uncovers the real Christopher Marlowe: his artistic ingenuity, riotous politics, and transgressive, ultimately doomed life. In so doing, he shows Marlowe to be not only the most genius of writers, to whom Shakespeare owes an enormous debt, but the mastermind who carried Elizabethan England out of the dark ages and into the light.
Selected as a book of the year 2017 by The Times and Sunday TimesHumans cannot live without stories. and we decide if the Fall is the unvarnished truth or fictional allegory. Ultimately, The Rise and Fall of Adam and Eve allows us a new understanding of ourselves.
Shakespeare was a man of his time, constantly engaging with his audience's deepest desires and fears. In this book, by reconnecting with this historic reality we are able to experience the true character of the playwright himself. It traces Shakespeare's unfolding imaginative generosity.
Both an enhanced digital edition-the first edited specifically for undergraduates-and a handsome print volume, The Norton Shakespeare, third edition, provides a freshly edited text, acclaimed apparatus and an unmatched value.
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