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Short and Sweet is an inspiring anthology arranged to show how the short poem, defined here as no longer than thirteen lines - and sometimes a lot shorter than that - can tell a story, present a complex argument, and be packed with as much passion, wisdom and music as any more extended piece of writing.
Explores how music and the muse intertwine in work and in life. This title includes stories, anecdotes, jokes, absurdities, the odd informal homily, pitfalls and pratfalls, and Yorkshire life and death. It is about the dream and reality of what you are, and what you might have been.
When the mysterious Green Knight arrives unbidden at the Round Table one Christmas, only Gawain is brave enough to take up his challenge.
Originally commissioned for BBC Radio, Simon Armitage recasts Homer's epic as a series of dramatic dialogues. His version bristles with the economy, wit and guile that we have come to expect from one of the most individual voices of his generation.
'A firework display of technique, versatility and passion.' Independent on Sunday'The crafted sincerity of this potent, lyrical collection, in which an absolutely contemporary voice concisely expresses common concerns, is everything that poetry should be.' Times Literary Supplement'The first poet of serious artistic intent since Philip Larkin to have achieved popularity . . . it is possible that he will attain the sort of proverbial status Larkin now occupies.' Sean O'Brien, The Deregulated Muse
Kid gives us one of the liveliest poetic voices to have emerged in the last ten years. Simon Armitage's inspired ear for the demotic and his ability to deal with subjects that many poets turn their backs on have marked him as a poet of originality and force.
Abbie Fenton wants a baby. Her husband Felix, not unaware of the thunderous ticking of Abbie's biological clock, wants to oblige but their home has still to be blessed. Cue the usual round of doctors, tests, probes and scans - all to no avail. So Abbie - adopted at birth - decides that if she can't have a child then she must at least discover whose child she is. Soon, she and Felix are caught up in a make-or-break search for family, identity and meaning. And little do they know quite where the journey will take them ...The White Stuff announces Simon Armitage, one of our nation's leading and award-winning poets, as one of our greatest novelists.'Superb, very impressive, grimly funny ... I lay on the floor and howled with laughter' Independent 'With plenty of laugh-out-loud moments, touchy-feely bits and some choice observations about the things that men do, Armitage gives Hornby a run for his money' Daily Mirror
As the title implies, Simon Armitage's flesh-and-blood account of numerous personal journeys reads like a private encyclopaedia of emotion and health. Vivid and engaged, the poems range from the rainforests of South America to the deserts of Western Australia, but are set against the ultimate and most intimate of all landscapes, the human body. Equally, the body politic comes into question, through subtle enquiries into Englishness and the idea of home.
Simon Armitage is the most widely and unreservedly praised poet of his generation. The Dead Sea Poems, his fourth collection, culminates in a long visionary poem, 'Five Eleven Ninety Nine'. Elsewhere, questions of belief and trust, of identity and knowledge, dealt with as they occur in everyday domestic life, contribute to a picture of our contemporary world that is at once realistic and touched with a unique imaginative intensity.
From his home in a West Yorkshire village proverbially associated with cuckoos, Simon Armitage has been probing the night sky with the aid of a powerful Russian telescope. The sequence of eighty-eight poems at the heart of CloudCuckooLand springs from this preoccupation, each poem receiving its title from one of the constellations, while turning out to be less concerned with pure astronomy than with moments in the life of the poet's mind.
Zoom! is the book which launched Simon Armitage's meteoric rise to poetic stardom. It was shortlisted for the Whitbread Poetry Award in 1989.
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