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  • av Seth
    394,-

    A masterful work about a failing family business and the ensuing erosion of sibling relations and one s sanity

  • Spar 14%
    av Seth
    337,-

    An intimate, unforgettable, and exquisite collection, Pallookaville 24 is an essential for your Seth library.Palookaville 24 marks the long-awaited return of Seth's beloved series, which offers readers an invitation into the world and varied artistic practice of the iconic cartoonist.Beginning with Seth's serialized adolescent autobiography, Nothing Lasts, we enter the fleeting summers of his late teen years, specifically focusing on his summer jobs-a stint as a gofer at the Ministry of Natural Resources and his experiences as a bellboy, dishwasher, and cook at a local inn. A memoir ruminating on memory and place and the people who pass through his life, this chapter of Nothing Lasts closes with a seminal event in Seth's young life.An intriguing visual feast, The Apology of Albert Batch is the culmination of ten years of collaboration between the director Luc Chamberlane and Seth-a short film documenting Seth's venture into puppetry. An extensive photo essay detailing the making of the film accompanies a DVD.And lastly, Seth presents, warts and all, an exercise from his sketchbook. A simple activity: Select five names from a list and produce five stories to go with them. Drawn loosely with poster paint and ink, the work is spontaneous, showing a different side of the master artist. Palookaville 24 showcases Seth's artwork alongside his continually evolving artistic practice with unique elegance.

  • av Seth
    294,-

    From the author of Clyde Fans, named a book of the year by The Washington Post, The Guardian, and The New York Times

  • Spar 19%
    - A Visual Long-Playing Record
    av Seth
    639,-

  • Spar 12%
    av Seth
    251,-

    The "greatest collector" of comic books falls under the gaze of this humorous graphic novel, which explores the world of adults who obsess over comic books.

  • av Seth
    140,-

    Magick is cheap and power is all around you. The most vibrant magick in the world is that of survival. If you know how it works you can use it anywhere, with anything, to do whatever you need or desire. Tactics is defined as the choice and application of technique in a specific situation. The purpose of tactical magick is to take the magick of survival and incorporate it into our daily lives. So called High Magick is chiefly concerned with expanding consciousness, contacting higher planes, and achieving gnosis. Tactical magick is about learning from the plight of those less fortunate and building upon their techniques to create an eclectic grimoire of daily survival. This is a patchwork system of pop-culture sorcery, techno-alchemy, and hermetic street magick.

  • av Seth
    174,-

  • av Seth
    181,-

  • av Seth
    289,-

    The most anticipated issue to date of Seth s iconic comics digest, Palookaville 23 marks the culmination of twenty years of serialization

  • av Seth
    296,-

    "Continuing the new semiannual hardcover format for Palookaville in volume 21, Seth presents two very different autobiographical pieces, and the continuation of Part Four of the ongoing Clyde Fans serial."--Amazon.com.

  • av Seth
    258,-

    Palookaville #20 is the first volume of the seminal comic book series to be published in book form. The expansion into hardcover from pamphlet is a parallel that illustrates Seth''s growth into an award-winning cartoonist, book designer, hobbyist, editor, essayist, and installation artist. Seth''s first autobiographical comics since Palookaville #2 and #3 will be featured in #20. Drawing in his loose sketchbook style, similar to his book Wimbledon Green, Seth details his trip to a book festival and his awkward struggle to overcome isolation and communicate with the people around him. Seth continues the serialization of his acclaimed Clyde Fans story line, about which The New York Times Book Review aptly noted, "Seth truly believes in his waresΓÇöthe little meanings of regular lives." This is, perhaps, nowhere more apparent than in the cartoonist''s ongoing three-dimensional rendering of his fictional Dominion City, most recently featured in his book George Sprott. Using sketches, photographs, and an essay, the cartoonist explains why the need to conceptualize the fictional city in sculptures was a natural extension from comics storytelling, and how if he had his way, it would have stayed in his basement forever.

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