Bøker av Seamus Heaney

This collection of Seamus Heaney's work, especially in the vivid and surprising twelve-line poems entitled "e;Squarings"e;, shows he is ready to re-imagine experience and "e;to credit marvels"e;. The title poem, "e;Seeing Things"e;, is typical of the whole book. It begins with memories of an actual event, then moves towards the visionary while never relinquishing its feel for the textures and sensations of the world. Translations of Virgil and Homer provide a prelude and a coda where motifs implicit in the earlier lyrics are given direct expression in extended narratives. Journeys to underworlds and otherworlds correspond to the journeys made by poetic language itself. From the author of "e;The Haw Lantern"e;, "e;Wintering Out"e;, "e;Station Island"e; and "e;North"e;.

This volume contains a selection of work from each of Seamus Heaney's published books of poetry up to and including the Whitbread prize-winning collection, The Haw Lantern (1987).'His is 'close-up' poetry - close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does.' John Banville'More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of.' John Carey

The title poem from this collection is set on an island that has been a site of pilgrimage in Ireland for over a thousand years. A narrative sequence, it is an autobiographical quest concerned with 'the growth of a poet's mind'. The long poem is preceded by a section of shorter lyrics and leads into a third group of poems in which the poet's voice is at one with the voice of the legendary mad King Sweeney.'Surpasses even what one might reasonably expect from this magnificently gifted poet.' John Carey, Sunday Times

At the centre of this collection, which includes groups of elegies and love poems, there is a short sonnet sequence which concentrates themes apparent elsewhere in the book: the individual's responsibility for his own choices, the artist's commitment to his vocation, the vulnerability of all in the face of circumstance and death.'Throughout the volume Heaney's outstanding gifts, his eye, his ear, his understanding of the poetic language are on display - this is a book we cannot do without.' Martin Dodsworth, Guardian

In North Seamus Heaney found a myth which allowed him to articulate a vision of Ireland - its people, history and landscape. Here the Irish experience is refracted through images drawn from different parts of the Northern European experience, and the idea of the north allows the poet to contemplate the violence on his home ground in relation to memories of the Scandinavian and English invasions which have marked Irish history so indelibly.

A companion to The Rattle Bag, The School Bag is an engaging and authoritative selection for the classroom. Seamus Heaney and Ted Hughes have chosen an eclectic range of poets read in today's schools, but also those poems that the editors themselves read at school, or those from which they learned the most.

Electric Light travels widely in time and space, visiting the sites of the classical world, revisiting the poet's childhood: rural electrification and the light of ancient evenings are reconciled within the orbit of a single lifetime. This is a book about origins (not least the origins of words) and oracles: the places where things start from, the ground of understanding - whether in Arcadia or Anahorish, the sanctuary at Epidaurus or the Bann valley in County Derry.Electric Light ranges from short takes ('glosses') to conversation poems whose cunning passagework gives rein to 'the must and drift of talk'; other poems are arranged in sections, their separate cargoes docked alongside each other to reveal a hidden and curative connection. The presocratic wisdom that everything flows is held in tension with the fixities of remembrance: elegising friends and fellow poets, naming 'the real names' of contemporaries behind the Shakespearean roles they played at school. These gifts of recollection renew the poet's calling to assign to things their proper names. The resulting poems are full of delicately prescriptive tonalities, where Heaney can be heard extending his word-hoard and rollcall in this, his eleventh collection.

Finders Keepers is a gathering of Seamus Heaney's prose of three decades. Whether autobiographical, topical or specifically literary, these essays and lectures circle the central preoccupying questions: 'How should a poet properly live and write? What is his relationship to be to his own voice, his own place, his literary heritage and the contemporary world?'As well as being a selection from the poet's three previous collections of prose (Preoccupations, The Government of the Tongue and The Redress of Poetry), the present volume includes material from The Place of Writing, a series of lectures delivered at Emory University in 1988. Also included are a rich variety of pieces not previously collected in volume form, ranging from short newspaper articles to more extended lectures and contributions to books, including 'Place and Displacement' (1984), only available previously as a pamphlet, and 'Burns's Art Speech', written for the bicentennial of Robert Burns's death. In its soundings of a wide range of poets - Irish and British, American and East European, predecessors and contemporaries - Finders Keepers is, as its title indicates, 'an announcement of both excitement and possession'.

'An irresistibly coherent book which celebrates the rising and the raising of the human spirit.' Michael Hofmann, The Times'If any poetry written today can have this 'redemptive effect' - as Heaney in his critical writing has begun to claim it can - then this is it.' Mick Imlah, Independent on Sunday