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  • av Sara E. Johnson
    151,-

    "Alexa Glock is at a crossroads-personally and professionally. As an American working and living in New Zealand, she's come to love the place with its rugged beauty and warm, friendly people. But there's still so much she wants to learn in her field of forensic odontology, and her professional crush in Scotland has just interviewed her for a position at the University of Edinburgh. To complicate matters, she learns that the man who professes to love her had been unfaithful to his ex-wife. How can Alexa trust that he won't cheat on her as well if she stays? When she's called to the former gold mining community of Arrowtown to help identify some old bones for repatriation to China, she welcomes the distraction. As often happens when digging up the past, a mystery is unearthed; two additional skeletons are found, one with a hole through its skull, the other with a snapped neck and broken back. As Alexa attempts to open a cold case investigation of two potential homicides, the local school principal goes missing. Local police recruit Alexa to assist with the case and as she digs in on both sides, the secrets she uncovers make her dangerously unpopular with those who want to keep the past buried-and Alexa along with it"--

  • - Transcolonial Collaboration in the Revolutionary Americas
    av Sara E. Johnson
    607,-

    The Fear of French Negroes is an interdisciplinary study that explores how people of African descent responded to the collapse and reconsolidation of colonial life in the aftermath of the Haitian Revolution (1791-1845). Using visual culture, popular music and dance, periodical literature, historical memoirs, and state papers, Sara E. Johnson examines the migration of people, ideas, and practices across imperial boundaries. Building on previous scholarship on black internationalism, she traces expressions of both aesthetic and experiential transcolonial black politics across the Caribbean world, including Hispaniola, Louisiana and the Gulf South, Jamaica, and Cuba. Johnson examines the lives and work of figures as diverse as armed black soldiers and privateers, female performers, and newspaper editors to argue for the existence of "e;competing inter-Americanisms"e; as she uncovers the struggle for unity amidst the realities of class, territorial, and linguistic diversity. These stories move beyond a consideration of the well-documented anxiety insurgent blacks occasioned in slaveholding systems to refocus attention on the wide variety of strategic alliances they generated in their quests for freedom, equality and profit.

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