Utvidet returrett til 31. januar 2025

Bøker av Samuel Rogers

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  • - Capitalists Without the Right Kind of Capital
    av Samuel Rogers
    1 815,-

    This book emphasises the importance of state-business relations and external capital for structuring and strengthening authoritarian populism in Hungary. It argues these capitalist relations are crucial to understanding the economic aspects of this ideology, which has developed in the country since 2010. The book investigates both 'internal' and 'external' legs of the Hungarian political economy. First how a politically loyal national capital owning class has subsumed domestic business. Second the government's operationalisation of 'new' inward transnational capital inflows - especially from China and Russia - to finance large-scale infrastructure projects, which complement extant investment particularly from Germany. Together, these developments have strengthened the hegemonic nature of Hungarian Authoritarian Populism, helping the government to continued electoral success. This model of governance is attractive to similar ideological expressions in the region and beyond who look for an example to emulate.

  • av Samuel Rogers
    329,-

    Recollections of the Table-Talk of Samuel Rogers is a delightful collection of anecdotes and witticisms from one of the most famous literary salons of the early 19th century. Including contributions from luminaries such as Lord Byron, William Wordsworth, and Sir Walter Scott, this book offers a unique window into the world of the Romantic poets. This edition includes commentary and analysis from leading literary scholars.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • - Consisting of the Pleasures of Imagination, by Mark Akenside; the Pleasures of Memory, by Samuel Rogers; the Pleasures of Hope, by Thomas Campbell; the Pleasures of Friendship, by James M'henry
    av Samuel Rogers
    329,-

    This collection of poems explores the different pleasures of life, including imagination, memory, hope, and friendship. Each poet offers a unique perspective on these themes, creating a diverse and engaging reading experience. Perfect for fans of poetry and literature alike.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • av Samuel Rogers
    382,-

    This collection of poetry by four major British writers of the Romantic era offers a glimpse into the artistic and cultural trends of the period. The works of Montgomery, Rogers, Campbell, and White showcase the beauty and complexity of the English language at its finest.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • - A Poem
    av Samuel Rogers
    382,-

    This epic poem explores the nature of human existence, from birth to death and beyond. It is a profound meditation on the meaning of life, and is beautifully written in flowing, lyrical language. Anyone interested in philosophy, literature, or the human condition will find this work to be a rewarding and thought-provoking read.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • av Samuel Rogers
    288 - 422,-

  • av Samuel Rogers
    200,-

  • av Samuel Rogers
    288,-

  • av Samuel Rogers
    595 - 861,-

  • av Samuel Rogers
    595 - 861,-

  • av Samuel Rogers
    227 - 396,-

  • av Samuel Rogers
    275 - 422,-

  • av Samuel Rogers & Baron George Gordon Byron Byron
    214 - 382,-

  • av Samuel Rogers
    200 - 382,-

  • av Rogers Samuel Rogers
    861 - 1 128,-

  • av Samuel Rogers
    174,-

    The iconic British postbox has brought words of joy, laughter, hope and surprise to millions around the world (and sometimes even just around the corner). In this delightful story you are invited inside a hidden world where these messages are whisked away to almost-magically appear in the hands of people near and far.

  • av Samuel Rogers
    2 344,-

    The Yearbook of English Studies for 2021 examines contemporary poetry from Britain and Ireland. Edited by Samuel Rogers, the volume contains fourteen essays exploring a range of poetry from 1980 and the present. Poetry continues to be a dynamic cultural force, though the past four decades have seen recurrent debates over whether its readership is shrinking or swelling. Certainly, the digital age has reshaped our relationship with media, altering both the publishing world and the economies of attention. Is poetry anachronistic, or has its condensed nature allowed it to thrive? Since we are still living it, contemporary poetry resists being surveyed from any detached perspective. This volume instead looks in depth at a range of poets, illustrating some diverse possibilities for poetic energy. A handful of senior poets are discussed, and the impact of their late work appraised. However, the dominant concern is with poets who began publishing since 1980. The volume is organized into four sections. 'Place, Identity, Environment' contains discussions of Tony Conran, Raman Mundair, Geoffrey Hill, and Karen McCarthy Woolf. Attention is paid to questions of nationhood, cultural identity and ethnicity, the ethics of attention, and the pressing matter of climate change. In the second section, 'Placing Language', Rhys Trimble, Lesley Harrison, and Tom Pickard are compared; Gaelic poetry is explored via Meg Bateman, Ruaraidh MacThòmais, Rody Gorman, and others; an analysis of Catherine Walsh further underlines the connections to place afforded by language. The third section, 'Ways of Looking Back', mediates between the contemporary and the past. This includes classical presences in Alice Oswald, parodic responses to Philip Larkin, and a consideration of the late Eavan Boland's legacy. A fourth section showcases some of poetry's 'Forms of Meaning'. Redell Olsen's cross media lineage is traced to Sophie Robinson, Nisha Ramayya, and others. Ted Hughes is revisited via the epistolary tradition. Literary collaboration is approached through Kelvin Corcoran, Alan Halsey, S. J. Fowler, Prudence Chamberlain, and Camilla Nelson. Finally, the complications of the contemporary lyric are examined in Zoë Skoulding's work.

  • - Third Edition
    av Samuel Rogers
    390,-

  • av Samuel Rogers
    160,-

    If Kate Archer had known just what the invitation entailed, she most certainly would not have succumbed to the pleading of June Gladstone to spend a month's vacation at her father's luxurious farm.Kate had met June at school, and, although four years her senior, had gone out of her way to befriend the forlorn, unattractive, almost ugly girl in her early teens. Now, five years later, the invitation had appeared out of the blue, and Kate found herself a guest in a strange, isolated household of very bohemian ways, with a menacing undercurrent that made Kate very uneasy. Suddenly, things began to happen with astonishing rapidity. Clotilde, June's beautiful stepsister was kidnapped in very gruesome circumstances, and Kate had to play a nerve-racking part in delivering the ransom money.But two murders occurred before peace was finally restored in the Gladstone household, and the warped, twisted mind of a murderer was revealed.

  • av Samuel Rogers
    274 - 568,-

  • av Samuel Rogers
    139,-

    DON'T LOOK BEHIND YOU!A madman has marked you for death.He follows you in the woods. He climbs the tree outside your window. He knocks on your door at midnight.He lusts for you. His raging desire will not rest until his lovely knife finds your delicious body. He has killed before.He will kill again, and it will be you.He takes the form of someone you know well. He lures you to a deserted building. He reveals himself. You are trapped. You flee down halls and twisting corridors, but he is behind you. You reach a door that will set you free...and it is locked!Daphne Gray cringed against the door. Above her she saw the gleam of a long knife poised to strike...

  • av Samuel Rogers
    248 - 328,-

  • - A Poem
    av Samuel Rogers
    202 - 396,-

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