Bøker av Sadakichi Hartmann

This dramatic work by Sadakichi Hartmann is a retelling of the life of Buddha in twelve scenes. Originally written in the late 19th century, this play offers a unique perspective on Buddhism and Eastern philosophy from a Western point of view. This edition includes a critical introduction and analysis of the work.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This beautiful volume explores the enduring influence of William Shakespeare on the world of art. Featuring a range of stunning artworks inspired by Shakespeare's plays, as well as insightful commentary and analysis, it offers a unique perspective on the Bard's legacy.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In this beautifully illustrated monograph, the distinguished art critic Sadakichi Hartmann offers a unique portrait of one of the most renowned artists of the 19th century. Through a careful analysis of Whistler's life and work, Hartmann unveils the secrets of this enigmatic artist and delves into the intricacies of his creative process.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Sadakichi Hartmann - Drifting Flowers & Other VersesPublic Domain Poets #10 | Publicdomainpoets.comContaining Sadakichi Hartmann's 'Tanka & Haikai: Japanese Rhythms' (1915); selections from 'My Rubaiyat' (1913), and the earlier, 'Drifting Flowers of the Sea' (1904); and the essays 'Why I Publish My Own Books' (1915) and 'The Japanese Conception of Poetry' (1904). New edition designed, edited, and selected by Dick Whyte. If pleasures be mineAs aeons and aeons roll by,Why should I repineThat under some future skyI may live as a butterfly.Hartmann (1867-1944) was born on the island of Dejima, off the coast of Nagasaki, to a Japanese mother and German father. His mother died giving birth to his brother, and they were sent to Germany to live with relatives. Hartmann later ran away to Paris, was disinherited by his father, and sent to Philadelphia, to live with an uncle. It was there he self-published his first dramatic works, and a book of conversations with Walt Whitman.White petals afloatOn a winding woodland stream-What else is life's dream?In the 1900s Hartmann started writing poetry, drawing influence from Whitman, French symbolism, and Japanese poetics, and in 1904 he published the earliest known set of English-language tanka, alongside a short essay on tanka and haiku aesthetics. In the 1910s he followed this up with a collection of linked tanka-esque blank-verse, inspired by the Rubaiyat of Omar Khayyam, and befriended writers like Gertrude Stein and Ezra Pound. Hartmann's 'Japanese Rhythms' (1916), remains one of the earliest published collections devoted to English-language tanka and haikai, followed by Noguchi's 'Japanese Hokkus' (1920), and Jun Fujita's 'Tanka: Poems in Exile' (1923).Public Domain Press is dedicated to producing contemporary editions of out-of-print poets and poetry collections, particularly with regard to compressed and fragmented 'free verse' from the late-1800s and early-1900s. All poems start as facsimiles - to preserve the original fonts - which are then cleaned up, edited for consistency, and spaciously laid-out, adorned with borders, illustrations, and ornaments from the books and magazines they originally appeared in. These are not "reprints" of previously existing books, but newly crafted collection, lovingly edited from public domain material, for the serious poetry lover.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature.

A study of the American artist James Abbott McNeill Whistler (1834-1903), first published in 1910. Sadakichi Hartmann considers Whistler's life and artistic career, and discusses his major works. Fully illustrated in a brand new format, from each stage in Whistler's career, plus illustrations of some of Whistler's contemporary artists. Painters Series. 220 pages. www.crmoon.com

Sadakichi Hartmann visited Whitman several times between 1884 and 1891 and recorded their talks. "Then he brought out some California claret, and when Billie returned with the lobster, we sat down - several hens running in and out of the half open door through which one could catch a glimpse of the red and green of a sunlit yard - and had a very jolly repast."

Collects the art criticism of a turn-of-the-century critic and depicts his role in the acceptance of modern art and photography as an art form in the United States.