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  • av Russell Brickey
    1 160,-

    Edward FitzGerald's Rubáiyát of Omar Khayyám Revisited: The Wine, the Vine, and the Rose examines an overlooked masterpiece which was a phenomenon in its day. Rubáiyát of Omar Khayyám, translated by Edward FitzGerald (1809-1883), sold millions of copies between its first publication in 1859 and World War II, becoming one of the best-selling books of all time, only to disappear from the public eye until the age of the Internet revived interest in the work. Russell Brickey synthesizes scholarship and close reading in the first monograph dedicated to the Rubáiyát, taking into account the original poetry of Omar Khayyám (1038-1141), a polyglot who lived in medieval Persia, and the western poetic tradition that informed FitzGerald's creative palimpsest. These include the Song of Solomon, 17th century Cavalier Poetry, the Sonnet Sequence, and the poems of Alfred Tennyson, William Wordsworth, and others. This book looks at the offshoots of Omar Khayyám and Edward FitzGerald's poetic brotherhood, the pulp-novels, movies, and poems their poem inspired.

  • av Russell Brickey
    612,-

    Understanding Sharon Olds explores this Pulitzer Prize-winning poet's major themes, characters, life, and career, including her often-controversial portrayals of family dysfunction, sexuality, and violence against women. In this first book dedicated entirely to the poetry of Sharon Olds, Russell Brickey examines how Olds approaches these difficult and complex topics with pathos and intimate, sometimes provocatively private, details through poetry that not all her critics appreciate. Olds has never shied away from difficult subject matter. Her first award-winning book, Satan Says, is a feminist exploration of gender politics and adolescent discovery. The Father comprises a book-length elegy about cancer. Stag's Leap, Olds's Pulitzer Prize-winning volume, is a surprisingly tender look at divorce in modern American culture. Extremely personal, her poems often deal with the victories and contradictions of being a woman in the United States during a time when the country is often involved in racial upheavals and military conflicts overseas. She investigates the victories and contradictions of being a wife and mother during the era of feminism, as one of our most honest, most overt poets of female sexuality and its relationship to family life and its place within the history of humanity. Brickey organizes each chapter around a theme or a persona within Olds's cast of characters. These include poems dedicated to mothers, fathers, children, and the arc of history. Through his close readings, Brickey shows how and where Olds has expanded the tradition of confessional poetry (literature that deals with psychology, family, love, and sexuality), a term Olds disdains but nevertheless expanded into commentary about the human condition in all its paradoxes.

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