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The first and only survey of Japanese design as seen through the lens of Japan's traditional colour spectrum - an exquisitely packaged fresh take on a universally popular topic
An unsurpassed master of post-war Japanese realist photography and a reference for amateur photographers even today. The breadth and diversity of this Renaissance man¿s oeuvre reveals untiring attention to and interest in the culture, art, faces, society, and politics of his country. With over 70,000 pictures taken between the 1920s and the 1980s, Domon Ken is considered the supreme master of Japanese photography as well as the main exponent of realism as the only approach possible. Over the years he honed his craft, shifting from propaganda photography during the war to photography as a life¿s mission, in search of his own Japan: a fascinating and silent Japan of ancient temples, Buddhist sculptures, puppet theatres (where he took refuge during the war); the seductive and expressive faces of celebrities alongside the modest ones of street urchins; up to the poorest Japan of mining villages and finally his most disturbing and modern work portraying Hiroshima and its unhealed wounds
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.