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Conceived in 1976 and published in 1980, LEGEND exemplifies the political and linguistic commitments of then-nascent Language writing. The twenty-six poems of the volume bring together every possible permutation of collaborative authorship in one-, two-, three-, and five-author combinations.
The second part to be published from Silliman's huge new work-in-progress, Universe,Northern Soul is a book-length poem of observation and reminiscence, a kaleidoscope of impressions occasioned by visits to the north-west of England, home to the music scene of the title.
Small Press Traffic "Book of the Year 2004". This memoir provides an exquisitely rich exploration of the relation of context to reference, subtext to meaning, back story to presented experience, and composition to poetics. Silliman's work unravels and reforms in this exemplary and exhilarating act of attention and reflection.
Silliman's major long poem published in a new edition and introduced by Barrett Watten. Tjanting abounds in a wealth of cultural reference and explores the strategies and procedures of constructing a reality in language. This classic text will delight readers and provide students of modern American poetry with a key work of the late 20th Century.
Between the Age of Innocence and the Age of Experience comes The Age of Huts. This book brings together for the first time all of the poems in Ron Silliman's Age of Huts cycle, including Ketjak, Sunset Debris, The Chinese Notebook, and 2197, as well as two key satellite texts, Sitting Up, Standing, Taking Steps, and BART. Each poem offers a radically different approach toward using language to explore the world. One of the founding works of Language Poetry, The Age of Huts is about everything, more or less literally, as each sentence, even each phrase, embarks on its own narrative, linking together to form a large polyphonic investigation of contemporary life. From Ketjak, one of the first poems to employ "e;the new sentence,"e; to 2197, a serial work that scrambles the vocabulary and grammar of its sentences, The Age of Huts questions everything we have known about poetry in order to see the world anew.
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