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  • - Reflections on Photography
    av Roland Barthes
    158,-

    Examining the themes of presence and absence, the relationship between photography and theatre, history and death, these 'reflections on photography' begin as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind.

  • - Fragments
    av Roland Barthes
    140,-

    An ecstatic celebration of love and language' Washington PostThe language we use when we are in love is not a language we speak.

  • - Vintage Design Edition
    av Roland Barthes
    163,-

    Barthes investigation into the meaning of photographs is a seminal work of twentieth-century critical theory. This is a special Vintage Design Edition, with fold-out cover and stunning photography throughout. Examining themes of presence and absence, these reflections on photography begin as an investigation into the nature of photographs - their content, their pull on the viewer, their intimacy. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind. He was grieving for his mother at the time of writing. Strikingly personal, yet one of the most important early academic works on photography, Camera Lucida remains essential reading for anyone interested in the power of images. 'Effortlessly, as if in passing, his reflections on photography raise questions and doubts which will permanently affect the vision of the reader' Guardian

  • av Roland Barthes
    145,-

    'Barthes' purpose is to tear away masks and demystify the signs, signals and symbols of the language of mass culture' The TimesIn this magnificent and often surprising collection of essays Barthes explores the myths of mass culture.

  • av Roland Barthes
    155,-

    ESSAYS SELECTED AND TRANSLATED BY STEPHEN HEATH 'Image-Music-Text' brings together major essays by Roland Barthes on the structural analysis of narrative and on issues in literary theory, on the semiotics of photograph and film, on the practice of music and voice. Throughout the volume runs a constant movement 'from work to text': an attention to the very 'grain' of signifying activity and the desire to follow - in literature, image, film, song and theatre - whatever turns, displaces, shifts, disperses. Stephen Heath, whose translation has been described as "skilful and readable" (TLS) and "quite brilliant" (TES), is the author of 'Vertige du déplacement', a study of Barthes. His selection of essays, each important in its own right, also serves as "the best...introduction so far to Barthes' career as the slayer of contemporary myths" (JOHN STURROCK, 'New Statesman).'

  • av Roland Barthes
    258,-

  • av Roland Barthes
    212,-

    A major collection of essays and interviews from an iconic 20th-century philosopher in five volumes, now all available together in paperback. Roland Barthes was a restless, protean thinker. A constant innovator--often as a daring smuggler of ideas from one discipline to another--he first gained an audience with his pithy essays on mass culture and then went on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century, including Empire of Signs, The Pleasure of the Text, and Camera Lucida. In 1976, this one-time structuralist outsider was elected to a chair at France's preeminent Collège de France, where he chose to style himself as a professor of literary semiology until his death in 1980. The greater part of Barthes's published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume four, Signs and Images, gathers pieces related to his central concerns--semiotics, visual culture, art, cinema, and photography--and features essays on Marthe Arnould, Lucien Clergue, Daniel Boudinet, Richard Avedon, Bernard Faucon, and many more.

  • av Roland Barthes
    212,-

    A major collection of essays and interviews from an iconic 20th-century philosopher in five volumes, now all available together in paperback.   Roland Barthes was a restless, protean thinker. A constant innovator‿often as a daring smuggler of ideas from one discipline to another‿he first gained an audience with his pithy essays on mass culture and then went on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century, including Empire of Signs, The Pleasure of the Text, and Camera Lucida. In 1976, this one-time structuralist outsider was elected to a chair at France‿s preeminent Collÿge de France, where he chose to style himself as a professor of literary semiology until his death in 1980.   The greater part of Barthes‿s published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume five, Simply a Particular Contemporary includes four interviews Barthes conducted between 1970 and 1979, varying widely in style and content.

  • Spar 11%
    - Propaganda Exhibitions from Pressa to The Family of Man, 1928-55
    av Roland Barthes
    689,-

    Focuses on photography as a tool for a fresh visuality and the rupture of the role of the spectator: photographic exhibitions from 1928 to 1955, from the spaces designed by Lissitzky's to The Family of Man; the trajectory of utopian architectural-photographic space and from post-Revolutionary Russia to America during the Cold War.

  • Spar 14%
    av Roland Barthes
    220,-

    Preface by Richard Howard. Translated by Richard Miller. This is Barthes's scrupulous literary analysis of Balzac's short story "Sarrasine."

  • av Roland Barthes
    150,-

    The only autobiography by the great Roland Barthes, philosopher, literary theorist and semiotician. This is the autobiography of one of the greatest minds of the twentieth century.

  • av Roland Barthes
    322,-

    Essays discuss science, mythology, language, style, history, semiotics, literature, and meaning.

  • Spar 12%
    av Roland Barthes
    189,-

    First published in 1977, Roland Barthes by Roland Barthes is the great literary theorist's most original work-a brilliant and playful text, gracefully combining the personal and the theoretical to reveal Roland Barthes's tastes, his childhood, his education, his passions and regrets.

  • av Roland Barthes
    275,-

  • av Roland Barthes
    275,-

    With this book, Barthes offers a broad-ranging meditation on the culture, society, art, literature, language, and iconography--in short, both the sign-oriented realities and fantasies--of Japan itself.

  • Spar 11%
    - Unpublished Correspondence and Texts
    av Roland Barthes
    228,-

    Album provides an unparalleled look into Roland Barthes's life of letters. It presents a selection of correspondence, from his adolescence through the last years of his life. The first English-language publication of Barthes's letters, Album is a comprehensive testimony to one of the most influential critics of the twentieth century.

  • - Writer
    av Roland Barthes
    1 397,-

  • - Essays and Interviews, Volume 5
    av Roland Barthes
    241,-

    IN

  • - Essays and Interviews, Volume 2
    av Roland Barthes
    241,-

    IN

  • - Essays and Interviews, Volume 3
    av Roland Barthes
    241,-

    Roland Barthes, whose centenary falls in 2015, was a restless, protean thinker. A constant innovator, often as a daring smuggler of ideas from one discipline to another, he first gained an audience with his pithy, semiological essays on mass culture, then unsettled the literary critical establishment with heretical writings on the French classics, before going on to produce some of the most suggestive and stimulating cultural criticism of the late twentieth century (Empire of Signs, S/Z, The Pleasure of the Text, Camera Lucida, Roland Barthes by Roland Barthes). In 1976, the one-time structuralist 'outsider' was elected to a chair at France's pre-eminent academic institution, the College de France, choosing to style himself its Professor of Literary Semiology, though this last somewhat hedonistic and more 'subjectivist' phase of his intellectual adventure was cut short by his untimely death in 1980. The greater part of Barthes's published writings have been available to a French audience since the publication in 2002 of the expanded version of his Oeuvres completes [Complete Works], edited by Eric Marty. The present collection of essays, interviews, prefaces, book reviews and other occasional journalistic pieces, all drawn from that comprehensive source, attempts to give English-speaking readers access to the most significant previously untranslated material from the various stages of Barthes's career. It is divided (not entirely scientifically) into five themed volumes entitled: Theory, Politics, Literary Criticism, Signs and Images (Art, Cinema, Photography), and Interviews. Barthes's earliest interest is in literature--in theatre and the classic realist novel, but also in the more experimental writers of the 1940s and 50s (literature of the absurd, nouveau roman etc.). The articles translated in this volume run from his mid-1950s writings on popular poetry, the giants of the nineteenth century novel (Hugo, Maupassant, Zola), and the narrative innovations of Robbe-Grillet and his associates through to writings from his later years on Sade, Rousseau and Voltaire, and the longer study 'Masculine, Feminine, Neuter' which is, in the words of his French editor, the 'first outline' of his remarkable critical work S/Z.

  • Spar 10%
    - Novelistic Simulations of Some Everyday Spaces
    av Roland Barthes
    322 - 1 163,-

    "Notes for a lecture course and seminar at Collaege de France (1976-1977)"-- T.p

  • av Roland Barthes
    288,-

  • - Lecture Courses and Seminars at the College de France (1978-1979 and 1979-1980)
    av Roland Barthes
    401 - 1 347,-

  • av Roland Barthes
    224,-

    In these interviews, given between 1962 and 1980, Barthes speaks about the development of his thought, explaining why and how he wrote his many books, paying tributes to philosophers, linguists, novelists, poets, painters and film-makers who have inspired him, as well as discussing how his life became dedicated to an exploration of semiotics.

  • av Roland Barthes
    224,-

    Fashion never ceases to interest psychologists, aestheticians and sociologists. Roland Barthes, however, examined fashion from a new point of view. In his endeavour to confine his love, outrage and passion for fashion to a system, Barthes created a work of literature that is witty, humane, personal and enormously stimulating

  • av Roland Barthes
    201,-

    Semiology is the science of signs and symbols, and their role in culture and society. This title presents a scientific definition of Saussurean linguistics and their aftermath.

  • av Roland Barthes
    286 - 390,-

    Roland Barthes (1915-1980) was a major French writer, literary theorist and critic of French culture and society. His classic works include Mythologies and Camera Lucida. This work in the Barthes canon offers a discussion of the language of literary criticism.

  • av Roland Barthes
    247,-

    Blurring the distinction between high and low, this work asks "What is sport?" In investigating the phenomenon, it considers five different national sports: bullfighting (Spain), car racing (America), cycling (France), hockey (Canada), and soccer (England).

  • - Lecture Course at the College de France (1977-1978)
    av Roland Barthes
    423 - 1 347,-

    The Neutral ( le neutre) escapes or undoes the paradigmatic binary oppositions that structure and produce meaning in Western thought and discourse. This book centers around 23 "figures," also referred to as "traits" or "twinklings," that are possible embodiments of the Neutral or of the anti-Neutral.

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