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What does it mean to be a citizen of the world in the twenty-first century? Robin Hemley wrestles with this question in Borderline Citizen as he takes the reader on a singular journey through the hinterlands of national identity.
In this novel of a woman in search of the meaning of family, ';Hemley draws a quirky, droll road map of the human heart, with all its foibles and dangers' (Publishers Weekly). In 1963, when Lois Kulwicki's father loses his job at Studebaker along with hundreds of other workers, he acts as if he has just been promoted. He buys a new car (the only non-Studebaker he's ever purchased) and takes his family on vacation. On the way home, Mom dumps Dad at a Stuckey's, and that's the last they see of him. Thirty years later, Lois has a family of her own, as fractured as her childhood family. Divorced but still living with her ex, she decides to move out with her two daughters and start over. But then a stranger named Henry enters their lives. As they create their own ersatz family, Lois tries to recover something of what she lost, beginning with a search for her abandoned father. The Last Studebaker is a heartfelt comic tale of lives changed forever, after the last Studebaker rolled off of the assembly line in South Bend, Indiana. ';[Hemley] has infused just the right amount of humor and pathos into his exploration of how people discover and maintain connections in these bewildering times.' The New York Times Book Review
Recalibrates and redefines the way writers approach their relationship to their subjects. Suitable for beginners and advanced writers, the book provides an enlightening, provocative, and often amusing look at the ways in which nonfiction writers engage with the world around them.
In 1971 Manual Elizalde, a Philippine government minister with a dubious background discovered a band of twenty-six Stone Age rain-forest dwellers living in total isolation. This title presents their story.
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