Bøker av Robert Pinsky

In late-1940s Long Branch, a historic but run-down Jersey Shore resort town, in a neighbourhood of Italian, Black and Jewish families, Robert Pinsky began his unlikely journey to becoming a poet. Descended from a bootlegger grandfather, an athletic father, and a rebellious tomboy mother, Pinsky was an unruly but articulate student whose obsession with the rhythms and melodies of speech inspired him to write.Pinsky traces the roots of his poetry, with its wide and fearless range, back to the voices of his neighbourhood, to music and a distinctly American tradition of improvisation, with influences including Mark Twain and Ray Charles, Marianne Moore and Mel Brooks, Emily Dickinson and Sid Caesar, Dante Alighieri and the Orthodox Jewish liturgy. He reflects on how writing poetry helped him make sense of life's challenges, such as his mother's traumatic brain injury, and on his notable public presence, including an unprecedented three terms as United States poet laureate.Candid, engaging and wry, Jersey Breaks offers an intimate self-portrait and a unique poetic understanding of American culture.

The Poet Laureate's clear and entertaining account of how poetry works."Poetry is a vocal, which is to say a bodily, art," Robert Pinsky declares in The Sounds of Poetry. "The medium of poetry is the human body: the column of air inside the chest, shaped into signifying sounds in the larynx and the mouth. In this sense, poetry is as physical or bodily an art as dancing."As Poet Laureate, Pinsky is one of America's best spokesmen for poetry. In this fascinating book, he explains how poets use the "technology" of poetry--its sounds--to create works of art that are "performed" in us when we read them aloud. He devotes brief, informative chapters to accent and duration, syntax and line, like and unlike sounds, blank and free verse. He cites examples from the work of fifty different poets--from Shakespeare, Donne, and Herbert to W. C. Williams, Frost, Elizabeth Bishop, C. K. Williams, Louise Glück, and Frank Bidart.This ideal introductory volume belongs in the library of every poet and student of poetry.

This latest edition of the Cambridge-based literary magazine introduces, in addition to an exciting mix of poetry, ideas essays, fiction, and comics, a new focus on science and on food writing with the new "Zest!" section.

The new Resistance Issue of Pangyrus Literary Magazine features many of the artists who've lit up the stage during Resistance Mic!'s first and second seasons at the OBERON in Harvard Square: Robert Pinsky, Steve Almond, Alexandria Marzano-Lesnevich, Kazim Ali, Kim Stafford, Brenda Hillman, Regie Gibson, Anne Champion, Krysten Hill, Jennifer Jean, Tim McCarthy, and many more. Full of hope, outrage, humor and insight, the magazine is the necessary companion to impossible times.

Part of the Jewish Encounter seriesPoet, warrior, and king, David has loomed large in myth and legend through the centuries, and he continues to haunt our collective imagination, his flaws and inconsistencies making him the most approachable of biblical heroes. Robert Pinsky, former poet laureate of the United States, plumbs the depths of David’s life: his triumphs and his failures, his charm and his cruelty, his divine destiny and his human humiliations. Drawing on the biblical chronicle of David’s life as well as on the later commentaries and the Psalms—traditionally considered to be David’s own words—Pinsky teases apart the many strands of David’s story and reweaves them into a glorious narrative.Under the clarifying and captivating light of Pinsky’s erudition and imagination, and his mastery of image and expression, King David—both the man and the idea of the man—is brought brilliantly to life.

Explores the dreams and nightmares of small towns - their welcoming yet suffocating, warm yet prejudicial character during their heyday, from the early nineteenth century through World War II. This book considers how small towns can be small-minded - in some cases viciously judgmental and oppressively provincial.

The place of poetry in modern democracy is no place, according to conventional wisdom. The poet, we hear, is a casualty of mass entertainment and prosaic public culture, banished to the artistic sidelines to compose variations on insipid themes for a dwindling audience. Robert Pinsky, however, argues that this gloomy diagnosis is as wrongheaded as it is familiar. Pinsky, whose remarkable career as a poet itself undermines the view, writes that to portray poetry and democracy as enemies is to radically misconstrue both. The voice of poetry, he shows, resonates with profound themes at the very heart of democratic culture. There is no one in America better to write on this topic. One of the country's most accomplished poets, Robert Pinsky served an unprecedented two terms as America's Poet Laureate (1997-2000) and led the immensely popular multimedia Favorite Poem Project, which invited Americans to submit and read aloud their favorite poems. Pinsky draws on his experiences and on characteristically sharp and elegant observations of individual poems to argue that expecting poetry to compete with show business is to mistake its greatest democratic strength--its intimate, human scale--as a weakness. As an expression of individual voice, a poem implicitly allies itself with ideas about individual dignity that are democracy's bedrock, far more than is mass participation. Yet poems also summon up communal life.. Even the most inward-looking work imagines a reader. And in their rhythms and cadences poems carry in their very bones the illusion and dynamic of call and response. Poetry, Pinsky writes, cannot help but mediate between the inner consciousness of the individual reader and the outer world of other people. As part of the entertainment industry, he concludes, poetry will always be small and overlooked. As an art--and one that is inescapably democratic--it is massive and fundamental.

Explanation of America.

Sadness and Happiness: Poems by Robert Pinsky.