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The follow-up to the internationally bestselling sensation The Lost Words, The Lost Spells is a beautiful collection of poems and illustrations that evokes the magic of the everyday natural world.
THE SUNDAY TIMES BESTSELLERSHORTLISTED FOR THE SAMUEL JOHNSON PRIZEThe original bestseller from the beloved author of UNDERLAND, LANDMARKS and THE LOST WORDS - Robert Macfarlane travels Britain's ancient paths and discovers the secrets of our beautiful, underappreciated landscape'The Old Ways confirms Macfarlane's reputation as one of the most eloquent and observant of contemporary writers about nature' Scotland on Sunday'Sublime... It sets the imagination tingling, laying an irresistible trail for readers to follow' Sunday Times'Read this and it will be impossible to take an unremarkable walk again' Metro'He has a rare physical intelligence and affords total immersion in place, elements and the passage of time: wonderful' Antony Gormley'I love to read Macfarlane' Financial TimesFollowing the tracks, holloways, drove-roads and sea paths that form part of a vast ancient network of routes criss-crossing the British Isles and beyond, Robert Macfarlane discovers a lost world - a landscape of the feet and the mind, of pilgrimage and ritual, of stories and ghosts; above all of the places and journeys which inspire and inhabit our imaginations.
SHORTLISTED FOR THE SAMUEL JOHNSON PRIZESHORTLISTED FOR THE WAINWRIGHT PRIZEFrom the bestselling author of UNDERLAND, THE OLD WAYS and THE LOST WORDS'Few books give such a sense of enchantment; it is a book to give to many, and to return to repeatedly' Independent 'Enormously pleasurable, deeply moving. A bid to save our rich hoard of landscape language, and a blow struck for the power of a deep creative relationship to place' Financial Times'A book that ought to be read by policymakers, educators, armchair environmentalists and active conservationists the world over' Guardian 'Gorgeous, thoughtful and lyrical' Independent on Sunday'Feels as if [it] somehow grew out of the land itself. A delight' Sunday TimesDiscover Robert Macfarlane's joyous meditation on words, landscape and the relationship between the two.Words are grained into our landscapes, and landscapes are grained into our words. Landmarks is about the power of language to shape our sense of place. It is a field guide to the literature of nature, and a glossary containing thousands of remarkable words used in England, Scotland, Ireland and Wales to describe land, nature and weather.Travelling from Cumbria to the Cairngorms, and exploring the landscapes of Roger Deakin, J. A. Baker, Nan Shepherd and others, Robert Macfarlane shows that language, well used, is a keen way of knowing landscape, and a vital means of coming to love it.
The Wild Cards, a captivating novel penned by the talented Jackie Morris, is a recent addition to the literary world, having been published on the 21st of October, 2021. This engrossing narrative, brought to life by the renowned publisher Penguin Books Ltd, is a testament to Morris's storytelling prowess, seamlessly blending elements of suspense and intrigue. The Wild Cards takes the reader on an unforgettable journey, making it a must-read for all literature enthusiasts. Discover the magic of Jackie Morris's writing in this latest release. The Wild Cards is not just a book; it's an experience that stays with you long after you've turned the last page.
From the celebrated writer and observer Robert Macfarlane comes this brilliant, perspective-shifting new book - which answers a resounding yes to the question of its titleAt its heart is a single, transformative idea: that rivers are not mere matter for human use, but living beings - who should be recognized as such in both imagination and law. Inspired by the activists, artists and lawmakers of the young 'Rights of Nature' movement, Macfarlane takes the reader on an exhilarating exploration of the past, present and futures of this ancient, urgent concept.Is a River Alive? flows like water from the mountains to the sea, over three major journeys:The first is to northern Ecuador, where a miraculous cloud-forest and its rivers are threatened with destruction by gold-mining.The second is to the wounded rivers, creeks and lagoons of southern India, where a desperate battle to save the lives of these waterbodies is under way.The third is to north-eastern Quebec, where a spectacular wild river - the Mutehekau or Magpie - is being defended from death by damming in a river-rights campaign.Braiding these journeys is the life story of the fragile chalk stream who rises a mile from Macfarlane's house, and flows through his own years and days.Passionate, immersive and revelatory, Is a River Alive? is at once Macfarlane's most personal and most political book to date. It is a book that will open hearts, spark debates and challenge perspectives. Lit throughout by other minds and voices, it invites us radically to reimagine not only rivers but also life itself. At the centre of this vital, beautiful book is the recognition that our fate flows with that of rivers - and always has.'He is the great nature writer, and nature poet, of this generation' Wall Street Journal'A naturalist who can unfurl a sentence with the breathless ease of a master angler, a writer whose ideas and reach far transcend the physical region he explores' The New York Times Book Review
Stunning picture book collaboration from bestselling author Robert Macfarlane, actor Johnny Flynn and illustrator Emily Sutton
'The most exhilarating history of mountaineering ... a riveting read' Jeremy Paxman
En storstilt utforskning av jordens underverdener. På reisen gjennom «dyp tid» beveger forfatteren seg fra universets fødsel til en post-human fremtid, fra den førhistoriske kunsten i norske sjøgrotter til de blå dypene under iskappen på Grønland, fra bronsealdergravkamre til katakombelabyrinten under Paris, og fra de underjordiske soppnettverkene som gjør at trær kan kommunisere med hverandre, til et dyptliggende «gjemmested» der atomavfall vil bli lagret de neste 100 000 år. Innvevd i denne skyggesøkende reisen er uforglemmelige historier om nedstigninger til «underlandet», foretatt av oppdagelsesreisende, kunstnere, huleforskere, dykkere, sørgende, drømmere og mordere. Fra sitt dyptidsperspektiv stiller Macfarlane et essensielt og ubehagelig spørsmål: Er vi gode forfedre for våre etterkommeres jordklode? Underverden en reise i undre, tap, frykt og håp.
An anthology of essays about the joys of reading and of giving books, from some of the world's most beloved writers. Inspired by and including Robert Macfarlane's own essay, 'The Gifts of Reading', publishing to coincide with the 20th anniversary of global literacy non-profit, Room to Read
A collection of essays and other texts by eleven internationally acclaimed writers, critics and artists. Over a decade after his death W.G. Sebald remains a major presence in world literature. He has a devoted readership in many different countries. This lively and accessible collection offers a series of different illuminations on why SebaldâEUR(TM)s work continues to fascinate. Follow Ali Smith as she gets loosed in the translation of his work. Discover with Robert Macfarlane the arguments for and against SebaldâEUR(TM)s reputation. Find out from Will Self why British readers might find him a "good German". Think with John Coetzee about the recurrent psychological crisis that haunts SebaldâEUR(TM)s imagination. These are just a few of the many discoveries, insights, and imaginative responses that this collection offers its readers. This is the book that readers of Sebald, new or old, need to take with them as they journey through his work. It speaks of and to the different experiences involved in reading Sebald, whether responding to the relation between word and image, or the question of what can and cannot be remembered, or the resonant character of voice and voices, or the strange networks and connections that make up SebaldâEUR(TM)s texts. And then there are personal memories by Tess Jaray of working with Sebald, Tacita Dean's own version of Sebaldian connectedness and an enigmatic memorial by Richard Long. The book is edited and has an introduction by Jon Cook, a Professor of Literature and Director of the Centre for Creative and Performing Arts at the University of East Anglia, who was for a number of years a friend and colleague of W.G. Sebald.
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