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In this series, a contemporary poet selects and introduces a poet of the past. Life Studies, published in 1959, was a watershed in American poetry, initiating an autobiographical project that became the dominating feature of his work and shaped poetry on both sides of the Atlantic.
A collection of poetry by Robert Lowell, focusing on the life and work of Antony Brade, a fictional poet created by Lowell. The poems are full of rich imagery and explore themes such as love, loss, and the creative process.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A complete collection of Robert Lowell's autobiographical prose, from unpublished writings about his youth to reflections on the triumphs and confusions of his adult life.Robert Lowell's Memoirs is an unprecedented literary discovery: the manuscript of Lowell's lyrical evocation of his childhood, which was written in the 1950s and has remained unpublished until now. Meticulously edited by Steven Gould Axelrod and Grzegorz Kosc, it serves as a precursor or companion to his groundbreaking book of poems Life Studies, which signaled a radically new prose-inflected direction in his work, and indeed in American poetry. Memoirs also includes intense depictions of Lowell's mental illness and his determined efforts to recover. It concludes with Lowell's reminiscences of other writers, among them T. S. Eliot, Robert Frost, Ezra Pound, John Berryman, Anne Sexton, Hannah Arendt, and Sylvia Plath. Memoirs demonstrates Lowell's expansive gifts as a prose stylist and his powers of introspection and observation. It provides striking new evidence of the range and brilliance of Lowell's achievement.Includes black-and-white photographs
Of the twenty chapters that make up these Memoirs, seventeen appear here in print for the first time, unearthed by the editors from the Harvard Archive. They include intense depictions of Lowell's mental illness and his efforts to recover, and conclude with reminiscences of other writers - T. S. Eliot, Robert Frost, Ezra Pound, John Berryman, Anne Sexton, Hannah Arendt, and Sylvia Plath. Memoirs demonstrates Lowell's expansive gifts as a prose stylist and provide further evidence of the range and brilliance of his achievement.
Robert Lowell, with Elizabeth Bishop, stands apart as the greatest American poet of the latter half of the twentieth century-and Life Studies and For the Union Dead stand as among his most important volumes. In Life Studies, which was first published in 1959, Lowell moved away from the formality of his earlier poems and started writing in a more confessional vein. The title poem of For the Union Dead concerns the death of the Civil War hero (and Lowell ancestor) Robert Gould Shaw, but it also largely centers on the contrast between Boston's idealistic past and its debased present at the time of its writing, in the early 1960's. Throughout, Lowell addresses contemporaneous subjects in a voice and style that themselves push beyond the accepted forms and constraints of the time.
Selected Poems includes over 200 works culled from Robert Lowell's books of verse-Lord Weary's Castle, The Mills of the Kavanaughs, Life Studies, For the Union Dead, Near the Ocean, History, For Lizzie and Harriet, and The Dolphin. Edited and with a foreword by the poet Frank Bidart, who also edited Collected Poems of Robert Lowell, this volume is a perfectly chosen representation of "the greatest American poet of the mid-century" (Richard Poirier, Book Week).
I have sat and listened to too manywords of the collaborating muse,and plotted perhaps too freely with my life,not avoiding injury to others,not avoiding injury to myself-to ask compassion . . . this book, half fiction,an eelnet made by man for the eel fightingmy eyes have seen what my hand did.Winner of the 1974 Pulitzer Prize in Poetry, The Dolphin was controversial from the beginning: many of the poems include the letters that Robert Lowell's wife, the celebrated writer and critic Elizabeth Hardwick, wrote to him after he left her for the English socialite and writer Caroline Blackwood. He was warned by many, among them Elizabeth Bishop, that "e;art just isn't worth that much."e; Nevertheless, these poems are a powerful document of an impulsive love, and a moving record of Lowell's change from one life and marriage in America to a new life on new terms with a new family in England, rendered with the stunning technical power and control for which he was so celebrated. This new edition, which follows the 1973 edition, includes scans of the pages of Lowell's original manuscript, giving us a look into the brilliant and complicated mind of one of our most beloved and distinguished poets.
The renowned and controversial author of many books of poems, plays, and translations, Robert Lowell was one of the United States' most honoured poets, winning the Pulitzer Prize in Poetry in 1947 and 1974, the National Book Award, and the National Book Critics Circle Award. This book offers a selection of Lowell's poems.
This is a definitive edition of Lowell's poems, from the early triumph of "Lord Weary's Castle", winner of the Pulitzer Prize, to the wilfulness of his "Imitations" of Sappho, Baudelaire, Rilke and other masters, to the spontaneity of his "History" and "The Dolphin", winner of another Pulitzer.
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