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Drawing on examples from newspapers, film, radio and television, Ferguson provides an overview and assessment of existing research in the area. Representing Race is a challenge to intellectual complacency and a warning against the temptation to normalise the very term 'race'.
A journey of discovery through two millennia of Scandinavia's history, culture and society.
Roof of the world, land of legend and beauty - within its narrow confines, Nepal contains an utterly spectacular variety of culture and landscapes. Footprint's 3rd edition Nepal Handbook will guide you from the vast sweep of Himalayan peaks to ornate temples and pagodas.
Prior to the First World War T.E. Hulme was one of the most original and striking creative personalities in England, strongly admired by both Pound and Eliot. Yet he died in 1917, virtually unknown. A key figure in the genesis of Modernism, Hulme mixed among a great range of gifted artists and was never shy of courting controversy. Unusually among poets of his generation, he was convinced of the rightness of Britain's role in the war (and criticised Bertrand Russell for his pacifism.) Robert Ferguson offers the first modern biography of Hulme, drawing upon access to Hulme's papers and later interviews with his associates.'A humane, comprehensive biography... By the end, Ferguson's final judgment of his subject - 'the conservative character at its best' - seems justified.' Jeremy Noel-Todd, Observer
First published in 1996, Robert Ferguson's controversial Henrik Ibsen: A New Biography is perhaps the most irreverent and critical of all the Ibsen biographies.
For those living outside Scandinavia, the Viking Age effectively began in 793 with an attack on the monastery at Lindisfarne. The attack on Lindisfarne was a characteristically violent harbinger of what was in store for Britain and much of Europe from the Vikings for the next 300 years, until the final destruction of the heathen temple to the Norse gods at Uppsala around 1090. Robert Ferguson is a sure guide across what he calls 'the treacherous marches which divide legend from fact in Viking Age history'. His long familiarity with the literary culture of Scandinavia - the eddas, the poetry of the skalds and the sagas - is combined with the latest archaeological discoveries and the evidence of picture-stones, runes, ships and objects scattered all over northern Europe, to make the most convincing modern portrait of the Viking Age in any language. The Hammer and the Cross ranges from Scandinavia itself to Kievan Rus and Byzantium in the east, to Iceland, Greenland and the north American settlements in the west. Beyond its geographical boundaries the book takes us on a journey to a misty region inhabited by Hallfred the Troublesome Poet, Harald Bluetooth, Ragnar Hairy-Breeches, Ivar the Boneless and Eyvind the Plagiarist, in which literature, history and myth dissolve into one another.
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