Bøker av Robert E. Mitchell

Bioart, art that uses either living materials (such as bacteria or transgenic organisms) or more traditional materials to comment on, or even transform, biotechnological practice. This book offers a theoretical account of the art form, situating it in the contexts of art history, laboratory practice, and media theory.

Combining narrative history with data-rich social and economic analysis, this study examines the failure of frontier farms in the antebellum Northwest Territory, where legislatively created markets and poor surveying resulted in massive investment losses for both individual farmers and the national economy.

This study suggests how traditional language-rich narrative histories of the Pale of Settlement can benefit from drawing on the large vocabularies, questions, theories and analytical methods of human geography, economics and the social sciences for an understanding of how Jewish communities responded to multiple disruptions during the nineteenth century. Moving from the ecological level of systems of settlements and variations among individual ones down to the immediate built environment, the book explores how both physical and human space influenced responses to everyday lives and emigration to America.

This Palgrave Pivot demonstrates that the inherited vocabularies of economics and other social sciences contain socially constructed words and theories that bias our very understanding of history and markets, bridging the empirical and moral dimensions of economics in general and inequality in particular.

Bioart -- art that uses either living materials (such as bacteria or transgenic organisms) or more traditional materials to comment on, or even transform, biotechnological practice -- now receives enormous media attention. Yet despite this attention, bioart is frequently misunderstood. Bioart and the Vitality of Media is the first comprehensive theoretical account of the art form, situating it in the contexts of art history, laboratory practice, and media theory.Mitchell begins by sketching a brief history of bioart in the twentieth and twenty-first centuries, describing the artistic, scientific, and social preconditions that made it conceptually and technologically possible. He illustrates how bioartists employ technologies and practices from the medical and life sciences in an effort to transform relationships among science, medicine, corporate interests, and the public. By illustrating the ways in which bioart links a biological understanding of media -- that is, media understood as the elements of an environment that facilitate the growth and development of living entities -- with communicational media, Bioart and the Vitality of Media demonstrates how art and biotechnology together change our conceptions and practices of mediation. Reading bioart through a range of resources, from Immanuel Kants discussion of disgust to Gilles Deleuzes theory of affect to Gilbert Simondons concept of individuation, provides readers with a new theoretical approach for understanding bioart and its relationships to both new media and scientific institutions.