Utvidet returrett til 31. januar 2025

Bøker av Richard Moran

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  • av Richard Moran
    117,-

    6 Strings is the unique new system of chord diagrams from Moran Education. All chords are displayed in a horizontal grid, rather than the vertical one employed in most guitar books. This system is proven to optimize your learning, allowing chord patterns to be learnt and digested much faster.With over 500 chords, in a pocket-sized A5 format, this book is small enough to be carried in your guitar case, yet big enough to be the only guitar chord book you'll ever need.

  • av Richard Moran
    112,-

    6 Strings is the unique new system of chord diagrams from Moran Education. All chords are displayed in a horizontal grid, rather than the vertical one employed in most guitar books. This system is proven to optimize your learning, allowing chord patterns to be learnt and digested much faster.This special edition of our most popular title caters for those who play left-handed guitars.With over 500 chords, in a pocket-sized A5 format, this book is small enough to be carried in your guitar case, yet big enough to be the only guitar chord book you'll ever need.

  • av Richard Moran
    119,-

    The Big Keyboard and Piano Chord Book presents over 500 Keyboard and Piano chords in our unique easy to read format.With large clear and concise diagrams, we show you all the keyboard chords you'll ever need to know.If you've just started playing, you'll appreciate our Introductory Pages, which explain how to get the most out of the book, and give advice on common chord substitutions.The more advanced player will appreciate our no-nonsense, easy to read and navigate format.This book is the perfect addition to any gigging keyboard player's library.

  • av Richard Moran
    282,-

    Life Is Choices. Make Them.An email here, a post there. Late to a Zoom meeting with a crying child in the background. . . we think we have been given permission to let the small stuff go. We have not.In Never Say Whatever, LinkedIn Influencer Richard A. Moran delivers an important message: "You should care. You need to care." Moran wants you to make choices, no matter how small, in order to move ahead in your career and lead a satisfying life. He cuts to the chase of the wishy-washy mindset that holds careers back and provides the tools you need to reframe seemingly nonessential moments into prime opportunities for moving ahead. Chapters include:Making the Choice-Being IntentionalThe Road to Awareness-Gaining PerspectiveThe Work Whatevers-Accountability As A CureLeaders, Managers, and Everyone Else-The Road to Success Is Paved with RiskThe Entrepreneurs Guide-Choices, Actions and ReactionsBeing Human-Whatever in A Worried WorldWhatever Can Turn Into Woulda, Coulda, Shoulda-Regrets, I've Had a FewLiving Without Whatever: Kicking the HabitSaying "whatever" is a choice with negative consequences on one's career.Never Say Whatever explains why this word is no good and provides the tools you need to erase it from your vocabulary-so you can start building a serious career today.

  • - Really Huge Lessons on Leadership, Believe Me
    av Richard A. Moran
    291 - 621,-

  • av Richard Moran
    156,-

    Making music is all about patterns. 24 Keys is designed to help you learn the unique fingering pattern that makes up each key quickly and easily through learning scales and arpeggios, and through practice exercises. It provides a unique visual guide to learning the position of the fingers in each key, so that you can make each second of practice count. We never sacrifice traditional notation. Each Scale and Arpeggio page in the book includes the traditional notation for each scale and arpeggio on the left, with our unique 'Grid' complementing it on the right. The correct fingering to use is shown in both traditional notation, and on 'The Grid'. Bowing is indicated as usual in traditional notation. Our specially written Exercises concentrate on cementing intonation, and are a fun way to solidify Scales and Arpeggios. Some of our Exercises are traditional 'Solo' exercises, some are written as duets for student and teacher, or student and student.

  • - Narrative and Self-Understanding
    av Richard Moran
    256,-

    A philosophical essay on the role of narrative autobiography in the effort of self-understanding. It originated as the 2015 lecture in the annual series of Aquinas Lectures at Marquette University, begun in 1937.

  • - The Insanity Defense of Daniel McNaughtan
    av Richard Moran
    206,-

    From Simon & Schuster, Knowing Right From Wrong is Richard Moran's look at the insanity defense of Daniel McNaughtan.In this examination of the precedent-setting case, Moran looks through an enlightened humanitarian lens of judgments passed on mentally ill defendants by judges and juries as a result of political climate and considerations.

  • - An Essay on Self-Knowledge
    av Richard Moran
    559,-

    Since Socrates, and through Descartes to the present day, the problems of self-knowledge have been central to philosophy's understanding of itself. Today the idea of ''first-person authority''--the claim of a distinctive relation each person has toward his or her own mental life--has been challenged from a number of directions, to the point where many doubt the person bears any distinctive relation to his or her own mental life, let alone a privileged one. In Authority and Estrangement, Richard Moran argues for a reconception of the first-person and its claims. Indeed, he writes, a more thorough repudiation of the idea of privileged inner observation leads to a deeper appreciation of the systematic differences between self-knowledge and the knowledge of others, differences that are both irreducible and constitutive of the very concept and life of the person. Masterfully blending philosophy of mind and moral psychology, Moran develops a view of self-knowledge that concentrates on the self as agent rather than spectator. He argues that while each person does speak for his own thought and feeling with a distinctive authority, that very authority is tied just as much to the disprivileging of the first-person, to its specific possibilities of alienation. Drawing on certain themes from Wittgenstein, Sartre, and others, the book explores the extent to which what we say about ourselves is a matter of discovery or of creation, the difficulties and limitations in being ''objective'' toward ourselves, and the conflicting demands of realism about oneself and responsibility for oneself. What emerges is a strikingly original and psychologically nuanced exploration of the contrasting ideals of relations to oneself and relations to others.

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