Bøker av Richard Millington

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Through close readings of poems covering the span of Georg Trakl's lyric output, this study traces the evolution of his strangely mild and beautiful vision of the end of days.Like much German-language poetry of the years preceding the First World War, the poems of Georg Trakl (1887-1914) are imbued with a sense of historical crisis, but what sets his work apart is the mildness and restraint of his images of universal disintegration. Trakl typically couched his vision of the end of days in images of migrating birds, abandoned houses, and closing eyelids, making his poetry at once apocalyptic, rustic, and intimate. The argument made in this study is that this vision amounts to a unitary worldview with tightly interwoven affective, ethical, social, historical, and cosmological dimensions. Often termed hermetic and obscure, Trakl's poems become more accessible when viewed in relation to the evolution of his methods and concerns across different phases, and the idiosyncrasies of his strangely beautiful later works make sense as elements of a sophisticated system of expression committed to "e;truth"e; as a transcendental order. Through close readings of poems covering the span of his lyric output, this study traces the evolution of Trakl's distinctive style and themes while attending closely to biographical and cultural contexts. Richard Millington is Senior Lecturer in German at Victoria University of Wellington (Aotearoa New Zealand). He is the author of Snow from Broken Eyes: Cocaine in the Lives and Works of Three Expressionist Poets (2012).

The highpoint of German Expressionism in the second decade of the 20th century coincided with a rapid increase in the availability of cocaine as the drug was stockpiled for medical purposes by armies fighting the First World War. Snow from Broken Eyes investigates the implications of this historical intersection for the lives and works of three poets associated with Expressionism: Gottfried Benn, Walter Rheiner and Georg Trakl. All three are known to have used the drug during the War, although under very different circumstances, and the cocaine references contained in their works are equally diverse. These range from demonstrative declarations of drug use (Benn), via agonized textual re-enactments of the addict's humiliation and suffering (Rheiner), to the integration of drug symbolism into an original, deeply resonant poetic code (Trakl). In this study, the findings arising from close readings of key works by Benn, Rheiner and Trakl are contextualized in relation both to the longstanding historical association between psychoactive substances and imaginative literature, and to the radical innovations in literary style that characterized the early 20th century.