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In 1971, Canada became the first country to adopt an official policy of multiculturalism. Performing the Intercultural City explores how Toronto - a representative global city in this multicultural country - stages diversity through its many intercultural theatre companies and troupes.
This book brings together essays on the Stratford Festival, on Shakespeare in Quebec, and on Canadian dramatic adaptations of Hamlet and Othello by Ric Knowles, one of Canadäs leading drama and theatre scholars. The essays discuss such major figures as Robert Lepage, Ann Marie MacDonald, Djanet Sears, Michael O¿Brien, Ken Gass, Robin Phillips, Marco Micone, and Martine Beaulne. Taken together they explore both the role that Canada has played in contemporary understandings of Shakespeare, and the role that Shakespeare has played in the constitution of postcolonial Canadian subjectivity and nationhood.
Theatre& Interculturalism surveys established approaches and asks what it would mean to reconsider intercultural performance, not from the points of view of the colonizing cultures, but 'from below'- from the viewpoints of the historically colonized and marginalized.
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