Bøker av R. H. Blyth

Never before published letters and uncollected short writings of R. H. Blyth, champion of Zen and the person who brought haiku to the world.Poetry and Zen is a collection of the letters, articles, translations, reviews, and selections from the posthumous papers of Reginald Horace Blyth (1898-1964). Blyth's voluminous writings on Zen, Japanese culture, and the Japanese verse forms haiku and senryu captured the imagination of a great many readers in the English-speaking world in the decades following World War II. His enlightening wit and inimitable style struck a particularly sensitive chord in the artistic community, providing inspiration to many poets and writers and playing a very considerable role in kindling global interest in Zen and haiku. Blyth's penetrating insights on these topics in a series of books published between 1942 and 1970 helped lay the foundation for the remarkable expansion of Zen outside of East Asia, as well as the popularization of haiku as an international verse form that took place after his death. Poetry and Zen is the first collection of Blyth's letters and short writings. The generous array of Blyth's literary output and personal writing on display here showcases the wide-ranging interests and brilliant mind of a pivotal figure in the history of modern Zen and Japanese poetry.

Reginald Horace Blyth (1898-1964) was a prime mover in the popularization of haiku and Zen philosophy in western culture. Born in England, Blyth spent most of his working life in Japan, where he acted as a professor of English and foreign liaison, and became a great admirer of Japanese poetry. Long considered by haiku enthusiasts an essential resource for English-speaking readers, Blyth's four-volume haiku anthology is a testament to his love and deep understanding of this singular art form. Presenting the best work of Japan's haiku masters alongside his own lucid commentary, Blyth's volumes communicate the true meaning and spirit of haiku in a way rarely accessible to western readers. The concluding volume of Blyth's anthology, Haiku Vol. IV (Autumn and Winter) contains a wide sampling of haiku particularly attuned to these two seasons. With subjects ranging from winter animals and landscape to the looming presence of sickness and death, this volume contains some of the most touching and profound examples of Zen and haiku.

Reginald Horace Blyth (1898-1964) was a prime mover in the popularization of haiku and Zen philosophy in western culture. Born in England, Blyth spent most of his working life in Japan, where he acted as a professor of English and foreign liaison, and became a great admirer of Japanese poetry. Long considered by haiku enthusiasts an essential resource for English-speaking readers, Blyth's four-volume haiku anthology is a testament to his love and deep understanding of this singular art form. Presenting the best work of Japan's haiku masters alongside his own lucid commentary, Blyth's volumes communicate the true meaning and spirit of haiku in a way rarely accessible to western readers.The first of the seasonal volumes, Haiku Vol. II (Spring) contains some of the most iconic and beautiful haiku ever written, organized by such classic topics as life and birth, the new year, landscapes, elements, flowers, and nature gods.

Reginald Horace Blyth (1898-1964) was a prime mover in the popularization of haiku and Zen philosophy in western culture. Born in England, Blyth spent most of his working life in Japan, where he acted as a professor of English and foreign liaison, and became a great admirer of Japanese poetry. Long considered by haiku enthusiasts an essential resource for English-speaking readers, Blyth's four-volume haiku anthology is a testament to his love and deep understanding of this singular art form. Presenting the best work of Japan's haiku masters alongside his own lucid commentary, Blyth's volumes communicate the true meaning and spirit of haiku in a way rarely accessible to western readers.In Haiku Vol. I (Eastern Culture), Blyth introduces the reader to the many aspects of Japanese culture that contributed to the formation of haiku, among them religion, Zen, selflessness, loneliness, humor, and puns, with examples taken from the poetry of Basho, Issa, Buson, and others.