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Presents a study of imperialism and cinema. This work maps the history of empire cinema in both Hollywood and Britain through case studies of popular films including biopics, adventures, literary adaptations, melodramas, comedies and documentaries, from the 1930s and "The Four Feathers" to the present, with "Indiana Jones" and "Three Kings".
British detective thrillers of the 1960s amused millions and are still shown internationally today. This book investigates these ironic, eccentric and knowingly stylish series and finds out in what way they represent the British idea of themselves.
Gives a picture of popular consensus between the government and the film industry over the cinematic representation of Britain and the British at war. It examines the role of the cinema as a vehicle of propaganda, and shows the relationship between the Ministry of Information and the film industry.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.