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A panorama of Europe, 1900-1914, describing the cultural, economic and political life before the First World War.
Subjugate the Earth traces the biography of a strange idea: the idea that human beings can subdue nature and rule over it, that humans are outside and above nature. Born in Mesopotamia at the dawn of civilisation, the idea of subjugating the Earth was included in the Bible, reached Europe through Christianity and spread to the entire world through colonialism. The Enlightenment gave a scientific appearance to the ambition of controlling nature but did not change the ambition itself. But every birth presages a death. Only with the climate crisis has it become apparent that the subjugation of nature must be a self-defeating ambition, because it alters and deregulates natural systems which humans depend on for their survival, precisely because they are part of nature. Subjugating the Earth is an idea that is dying around us.The polycrisis threatening to engulf humanity is inextricably linked to how humans see themselves and their relationship with nature. Based on developments in the natural sciences, a new understanding of this relationship looks not at individual phenomena but at systems, connections and entanglements between humans and other manifestations of nature. Is it possible to build a new understanding of humanity in nature by turning the traditional vision of free, rational individuals on its head and seeing humans as fascinating, irrational and system-dependent beings within the vast system of nature?Told through historical episodes, individual life stories, works of art, and scientific discoveries, Subjugate the Earth tells the story of the rise and fall of an idea that has shaped our world and weaves a rich tapestry that is as surprising as it is enriching.
Europe, 19001914: a world adrift, a pulsating era of creativity and contradictions. The major topics of the day: terrorism, globalization, immigration, consumerism, the collapse of moral values, and the rivalry of superpowers. The twentieth century was not born in the trenches of the Somme or Passchendaelebut rather in the fifteen vertiginous years preceding World War I.In this short span of time, a new world order was emerging in ultimately tragic contradiction to the old. These were the years in which the political and personal repercussions of the Industrial Revolution were felt worldwide: Cities grew like never before as people fled the countryside and their traditional identities; science created new possibilities as well as nightmares; education changed the outlook of millions of people; mass-produced items transformed daily life; industrial laborers demanded a share of political power; and women sought to change their place in societyas well as the very fabric of sexual relations.From the tremendous hope for a new century embodied in the 1900 Worlds Fair in Paris to the shattering assassination of a Habsburg archduke in Sarajevo in 1914, historian Philipp Blom chronicles this extraordinary epoch year by year. Prime Ministers and peasants, anarchists and actresses, scientists and psychopaths intermingle on the stage of a new century in this portrait of an opulent, unstable age on the brink of disaster.Beautifully written and replete with deftly told anecdotes, The Vertigo Years brings the wonders, horrors, and fears of the early twentieth century vividly to life.
A groundbreaking and internationally acclaimed work of environmental history tracing the great climate change of the seventeenth century: the `Little Ice Age'.
An illuminating work of environmental history that chronicles the great climate crisis of the 1600s, which transformed the social and political fabric of Europe.
A sweeping and vibrant history of Europe and America during the inter-war years, by the acclaimed author of The Vertigo Years.
Opens a door onto the world of pre-revolutionary Russia in original photographs taken during the last decades of Romanov rule. This title includes many remarkable colour images created using an early three-colourplate technique; these bring the remote past to life with an especially vivid jolt.
Dazzling recreation of the world of radical free-thinkers in 18th-century France.
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