Bøker av Peter Zusi

On what grounds do we speak of 'the avant-garde' in inter-war European culture? Why do we understand the conflicts and quarrels among these diverse movements as expressing a shared attitude - the culture of the manifesto, the drive to reject, to explore, to renew - that trumps the conflicts and quarrels themselves? Why do the stern rationalism of a functionalist building and the irreverent irrationalism of a Dadaist performance seem heralds of a similar spirit?The Czech avant-garde theorist Karel Teige (1900-1951) regarded architecture and film as providing the key to formulating a unified theory that would capture this 'integrity of the avant-garde'. Teige - whose thought has many points of contact with celebrated figures such as Georg Lukács and Walter Benjamin, and who was a close associate of Le Corbusier, André Breton, and Hannes Meyer - reveals how a vibrant 'alternative' avant-garde tradition can raise central questions for understanding European modernism more broadly.Peter Zusi is Associate Professor of Czech and Comparative Literature at the School of Slavonic and East European Studies, University College London.

A comprehensive reader on the Czech literary avant-garde.   In recent years a prominent trend in the study of European modernism and the avant-garde has been increased attention to texts and traditions that have long stood in the shadow of the French, German, and British traditions that dominate the canon. Yet this more expansive view of European modernism and the avant-garde has been hindered by the limited range of texts available outside the original languages. This book addresses that problem by offering a wide-ranging selection of literary, theoretical, and documentary sources from one of the most dynamic and original European avant-garde traditions: that of the first Czechoslovak Republic and of the Bohemian lands. The Czech avant-garde is in many respects the ideal "alternative" avant-garde to present in detail to a wider readership: it tracks Central European developments and was often influential internationally while being deeply embedded in particular cultural dynamics that produced original forms. This volume returns interwar Czech avant-garde writings to their place as a firmly embedded component of the European avant-garde.