Bøker av Peter Thule Kristensen

The New Carlsberg Glyptotek was established by brewer Carl Jacobsen in 1897 as a venue for the Danes to enjoy his ever-expanding collection of contemporary art. The building was drawn by Vilhelm Dahlerup and has since been extended with buildings by Hack Kampmann in 1906 and Henning Larsen in 2006.The world famous Danish museum includes antique sculptures from ancient cultures around the Mediterranean as well as more modern sculptures and an extensive collection of French impressionist, Post-impressionist, and Danish Golden Age paintings.The book provides thorough information on the history and architecture of the Glyptotek, as well as an aesthetic, atmospheric depiction of the building in relation to the art it contains. It is richly illustrated with new original photos by photographer Anders Sune Berg and architectural drawings, historical photos, and additional source material.

Lauritz de Thurah (1706–1759) was one of Denmark’s most significant architects of the Baroque period. He created several important buildings, including the Hermitage Hunting Lodge, the Royal Palace in Roskilde, Gammel Holtegaard and the famous spire of the Church of Our Saviour in Copenhagen, and masterminded conversions and extensions of properties such as Ledreborg, Frederiksborg Castle, Børglum Kloster and the now demolished summer residence Hirschholm Palace – widely known as the Versailles of the North.The mainstay of this monograph is architect dr.phil. Peter Thule Kristensen’s presentation of Thurah’s rich and complex architecture. The other chapters, written by experts Else Marie Bukdahl, Martin Søberg, Thomas Lyngby, Natalie Patricia Körner, Sanne Maekelberg and Nina Ventzel Riis, describe Thurah’s roles as a leading architectural historian, topographer, grand tour traveller, civil servant, military man and trailblazer within the new social structure in Denmark under absolute rule.The book also sheds light on the Baroque period in a broader sense, delving into the era’s court culture, garden design and church architecture. Finally, the afterlife of Thurah’s works is addressed: how do his buildings function in our present day, having been adapted to the needs and users of a new era?