Bøker av Peter Holland

Eubanks Winkler and Schoch reveal how - and why - the first generation to stage Shakespeare after Shakespeare's lifetime changed absolutely everything. Founder of the Duke's Company, Sir William Davenant influenced how Shakespeare was performed in a profound and lasting way. This open access book provides the first performance-based account of Restoration Shakespeare, exploring the precursors to Davenant's approach to Restoration Shakespeare, the cultural context of Restoration theatre, the theatre spaces in which the Duke's Company performed, Davenant's adaptations of Shakespeare's plays, acting styles, and the lasting legacy of Davenant's approach to staging Shakespeare.The eBook editions of this work are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Queen's University Belfast.

Over half of all people working on behalf of any given organization are typically not their own employees. Little attention has been paid to how these 'non-employees' are managed, motivated and meaningfully engaged. This book demonstrates that non-employees are often the organization's most important hidden resource.

In this book, which was originally published in 1979, Peter Holland brings together the disciplines of theatre history and literary criticism in a close study of the manner and significance of the staging of plays in the Restoration.

This book brings together theatre historians to identify and exemplify a variety of productive new approaches to the investigation of plays, players, playwrights, playhouses and other aspects of theatre in the long eighteenth century. Their inquiries range from stage censorship and anti-theatricalism to the political resonances of adultery comedy.

This book explores the full extent of Shakespeare performances in England over the last decade.

Offers an account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, nationally and internationally. This volume assesses the contribution of David Garrick, John Philip Kemble, Sarah Siddons and Edmund Kean to the afterlife and reception of Shakespeare and his plays.

William Wycherley (1641-1715) is now only remembered for one play, The Country Wife. But Wycherley's satire is as sharp now as ever and his revelation of the follies and crimes of his society is still both wickedly funny and savagely perceptive.