Bøker av Patrick Favardin

A rich introduction to interior design in the 1980s and '90sPublished to accompany 80s Fashion, Design, & Graphic Design in France, an exhibition at the MAD in Paris, from October 2022 to April 2023Designers include: Ron Arad, ARC, Avant-Scène, François Bauchet, Andrea Branzi, David Gill, Michele De Lucchi, Tom Dixon, André Dubreuil, Sylvain Dubuisson, En Attendant les Barbares, Dan Friedman, Olivier Gagnère, Garouste & Bonetti, Michael Graves, Charles Jencks, Shiro Kuramata, Les Lalanne, Christian Liaigre, Ugo Marano, Javier Mariscal, Memphis, Alessandro Mendini, Juan Pablo Molyneux, Jasper Morrison, Patrick Elie Naggar, Néotù, Marc Newson, Gaetano Pesce, Andrée Putman, Pucci de Rossi, Eric Schmitt, Ettore Sottsass, Philippe Starck, Martin Szekely, Oscar Tusquets Blanca, Robert WilsonIn line with the works on decorators of the 1940s, '50s, '60s, and '70s, this book plunges us into the world of '80s and '90s. These have witnessed unprecedented experiments in the world of design and architecture. Composed of a rich introduction which gives a synoptic vision and 38 monographs that describe its many faces, this book makes an exceptionally creative period, and reveals through an abundant iconography, often unpublished, its formidable aesthetic richness.A new generation of designers stands out, among them Shiro Kuramata, Philippe Starck, Ron Arad, Bob Wilson, Elizabeth Garouste and Mattia Bonetti. All regenerate creation by refusing the elitism of their predecessors and by favoring the use of new materials. Some turn to recovery, such as the Creative Salvage group, and offer inventive and provocative furniture thanks to welding and assembly. Others, gathered in Italy around Ettore Sottsass and Memphis, combine unexpected colors and patterns to the playful use of plastic laminate. Sliding until the end of the '90s, the achievements presented in this book mark the desire for a dialog between artistic references with a new relationship to the industrial aspect, at the dawn of the 21st century and its technological innovations.Text in English and French.

The first comprehensive monograph on Abraham & Rol, legendary designers of the second half of the 20th century, and including an introduction to their largely unknown works of architecture.

The 1960s and 1970s marked a sharp turning point in the history of decoration and furniture. Until that point, the world was confined to national and elitist forms of expression. At the beginning of the 1960s, the sector took its inspiration from Anglo-Saxon, Scandinavian, Italian and French decoration. Genres were combined in a frenzied desire to live in symbiosis with one's time. The progress of technology strengthened the conviction that the individual had unlimited freedom and aroused the desire to inhabit in a new manner. Forms became rounder, furniture was in sync with a warm, playful, and anticonformist universe. Colours and decorative motifs took on the brilliance and fantasies of Pop Art and psychedelia. The living environment was transformed into a waking dream in which luxurious furniture in original materials and surprising objects were mixed, associated, for the first time, with early furniture. The end of the 1970s marked the advent of a period in which beauty and classic elegance gave way to a host of expressions that were unclassifiable and rejected any hierarchy. The postmodern period had arrived. Composed of a long introduction that provides a synoptic view and 32 monographs that describe its many faces, this book invites the reader to discover an exceptionally creative period and revels through an abundant iconography.