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The epic novel of the American West and the heroic cowboyOwen Wister's powerful story of the tall, silent stranger who rides into the uncivilized West and defeats the forces of evil has become an enduring part of American mythology. Set in Wyoming Territory, The Virginian depicts the loneliness and challenge of an unknown land where the whistle of a freight train sounds across great miles of silence, where easy camaraderie-and sudden violence-are found around the campfire, and where the rough honesty of "frontier justice" is just beginning to impose a sense of society on an unruly populace. For Wister, the West represented a territory of adventure that tested the worth of a man. His hero, as John Seelye writes in his Introduction, has his roots in the historical romances of Sir Walter Scott and James Fenimore Cooper; he is a man who lives by the classic code of chivalry, ruled by quiet courage and deeply felt honor.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
This is the classic novel of the American West, which served as a model for thousands of later novels and films. It is a story of ranch life and cowboy living at the turn of the century. The hero of the novel, the "Virginian", the only name by which he is known, has left his native state at an early age to try his fortunes in the western country. After roughing it along the way, he settles on Judge Henry's cattle ranch in Wyoming, where the owner makes him his right-hand man. The Virginian is strikingly handsome, twetny-seven years old, and, though unversed in the ways of the world and ignorant as to book learning, he has character and personality that inspire respect from all who know him. He manages to force on a turbulent community his idea of law and order-- "getting the drop" on an enemy, vigilante committees, and lynch law. The novel recounts his adventures, including his romantic initiation at the hands of Molly Wood, the Vermont girl who became a western school techer. And it introduces him to Trampas, the legendary villain who is the prototype of the "bad guys" of future western novels and films. "The Virginian" has been filmed three times, most memorably with Gary Cooper, and also became a long-running television series.
Dime novels had featured some rather scrawny horse-bound tenders of cattle, but not until 1902 did the cowboy become a fully realized article of American culture. This work establishes the conventions of the western.
Owen Wister (1860 -1938) was an American writer and "Father" of western fiction.
Owen Wister is remembered today almost solely as the author of "The Virginian," yet his short stories, dating from the turn of the century, gave us our first real knowledge of the West's "wide, wild farm and ranch community, spotted with remote towns, and veined with infrequent railroads." And this West was not merely that of the cowboy, but of the soldier, the seeker, the Indians, the hunter, even the priest. This volume presents six of Wister's finest stories, chosen to exhibit the less well remembered facets of his talent. Their settings--ranging from a mining camp in the Rockies to a northwestern territorial capital to a southwestern desert town, and from a California mission to army posts on the high plains--are as varied as the characters and the situations.The introduction by Robert L. Hough discusses the factors the impelled Wister to write about the West ad his ambivalent feelings about the region, as well as his story-telling techniques and artistic goals.
The classic novel of post-Civil War Charleston life, a portrayal of the process of healing the wounds of war through reconciliation between Northerners and Southerners on a personal, not political, level. Southern Classics Series.
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