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  • av Oonya Kempadoo
    206,-

    Oonya Kempadoo's moving third novel, All Decent Animals, looks at the personal and aesthetic choices of a multifaceted cast of characters on the Caribbean island of Trinidad-a country still developing economically but rich culturally, aiming at "world-class" status amid its poor island cousins. It is a novel about relationships, examined through the distinct rhythms of the city of Port of Spain.Loyalties, love, conflicting cultures, and creativity come into play as Ata, a young woman working in carnival design but curious about writing, and her European boyfriend, Pierre, negotiate the care of their friend Fraser, a closeted gay man dying from AIDS. The contradictory Trinidadian setting becomes a parallel character to Fraser's Cambridge-derived artistic sensibility and an antagonist to Ata's creative journey.All Decent Animals is a forthright inquiry into the complexity of character, social issues, and island society, with all the island's humor, mysticism, and tragedy.

  • av Oonya Kempadoo
    277,-

    Told in the voice of a girl as she moves from childhood into adolescence, Buxton Spice is the story the town of Tamarind Grove: its eccentric families, its sweeping joys, and its sudden tragedies. The novel brings to life 1970s Guyana-a world at a cultural and political crossroads-and perfectly captures a child's keen observations, sense of wonder, and the growing complexity of consciousness that marks the passage from innocence to experience. 'A superb, and superbly written, novel of childhood and childhood's end . . . Kempadoo writes in a rich Creole, filling her story with kaleidoscopic images of Guyana's coastal plains . . . Her story is also one of sexual awakening, and she explores these new feelings with a curiosity and freedom that are refreshing . . . Kempadoo's novel, like the Buxton Spice mango tree, reveals its secrets, private and political, only sparingly until the bitter end.' -Patrick Markee, New York Times Book Review 'Oonya Kempadoo . . . has written a sexy, stirring, richly poetic semi-autobiographical first novel.' -Gabriella Stern, Wall Street Journal 'As juicy and ripe as the fruits drooping from the Buxton Spice mango tree . . . Kempadoo's Caribbean argot is precise and fluid, enriching this debut with bawdiness, violence, and raucous humor.' -Los Angeles Times 'There is a salt freshness to Kempadoo's writing, an immediacy which makes the reader catch breath for pleasure at the recognition of something exactly observed . . . She is a writer to watch and to enjoy, for her warmth, her fine intelligence and her striking use of language.' -Paula Burnett, The Independent (London)* Oonya Kempadoo, author of Tide Running, was born in Sussex, England of Guyanese parents and was raised in Guyana from the age of four. She studied art in Amsterdam and has lived in Trinidad, St. Lucia, Tobago, and now Grenada. She was named a Great Talent for the Twenty-First Century by the Orange Prize judges and is a winner of the Casa de las Americas Prize.

  • av Oonya Kempadoo
    291,-

    Cliff and Ossi have grown up in Plymouth on the island of Tobago, their lives turning on the axis of small-town life. One day they watch the arrival of a couple and their child at a luxurious house overlooking the ocean. The couple invites Cliff into their home and lives, and in that cool'flim-style' house, the harsh, brittle life of urban Plymouth is kept briefly at bay, desires obscuring differences in class and race. But then things begin to go wrong-money vanishes, the couple's car disappears-and those differences are brought suddenly to light, raising unsettling questions about relationships, wealth, and responsibility.

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