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Brings together 14 shorter essays from various journals and symposia. This title presents studies of how singing in church strayed from artistic control during its neglect in the 16th and 17th centuries, how the vernacular 'fuging tune' of West Gallery choirs grew up, and how individuals like Playford and Stainer set about artistic standards.
The music, religion, and relationships of the exceptional Wesley family
Documents the lives, careers, and music of three British composers, William Selby of London and Boston (1738-98), Rayner Taylor of London and Philadelphia (1745-1825), and George K Jackson of St Andrews, New York, and Boston (1757-1822) who emigrated from England in mid-career and became leaders in the musical life of the American Federal era.
Haydn's Creation is one of the great masterpieces of the classical period. In this absorbing and original account the author places the work within the oratorio tradition, contrasting the theological and literary character of the English libretto with the Viennese milieu of the first performances. The complete text is provided in both English and German versions as a reference point for discussion of the design of the work and the musical treatment of the words. A more detailed musical chapter examines the work through the movement types it employs - arias and ensembles, recitative and choruses - distinguishing the Handelian model from Haydn's own classical idiom. Nicholas Temperley also discusses the changing performance traditions of this work, surveys the critical reception throughout its history and quotes from the most signifcant critical literature of the nineteenth and twentieth centuries.
This volume provides an anthology of parish church music of all kinds from the fifteenth century to the twentieth, newly edited from primary sources for study or for performance. The extensive bibliography includes a numbered chronological list of printed collections of parish church music, comprehensive up to 1800, with summaries of their contents.
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