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  • av Neil Williamson
    137,-

    "I don't know anyone who grew up in the 1970s who wasn't scarred by the public information safety films on British TV. Those tiny, doom-filled dramas slipped in between the cartoons were often only fifteen or thirty seconds long but, by God, they caught our attention. Don't play with matches, or old fridges. Or kites or frisbees, should you happen to be near a pylon or electricity substation. Be careful crossing the road and running along the beach. And also near ponds and lakes, or when swimming in the sea. And never, ever talk to strangers.And then, of course, there was Protect and Survive. A full set of instructions for what to do in the event of nuclear war. Coming from a time of such existential dread, is it any wonder that those films are now considered a cornerstone of the UK's collective Horror imagination?I'd wanted to use them in a story for a long time, but the idea lay dormant until I realized two things. Firstly, that there was an element of warding ritual and incantation to them ("Look left, look right...", "Charley says...") reminiscent of folk horror, only in the urban environment rather than the usual remote rural setting. And, secondly, that those films were what Britain was scared of fifty years ago. What I ought to be writing about was what really terrifies me about this country now."

  • av Neil Williamson
    113,-

    "I worked hard for everything I have in this world, and I didn't do it on my knees."Kendra has seen people work three jobs and still have trouble paying the rent.She has been trying to get better her whole life as a young adult.In a few months, all the sacrifices made over a lifetime will finally pay off. She will finish her prestigious master's programme at Columbia at the top of her class, and she will finally quit her job at the diner to go into business. The only thing that could make this moment sweeter would be if her mom was still here to see her walk across that stage and grab that diploma she worked so hard for.When notorious billionaire bad boy Matthew Blackwell shows up at Kendra's diner out of the blue and asks her out on a date, her world is turned upside down. Matthew could have almost any woman in New York City or the world. Girls were lined up around the block to be his "next mistake." But Kendra doesn't want to be his flavour of the week, at least not until he hits her where it hurts-her ambition. Even though she tries to stay away from Matthew, his stunning looks and playful personality keep pulling her toward him.Will she break the heart of the unbreakable bad boy, or will Kendra become another victim of Matthew Blackwell's reputation?

  • av Neil Williamson
    234,-

    Queen of Clouds is a sumptuous fantasy from the mind of Glasgow-based author and musician Neil Williamson. Neil's debut novel The Moon King was described by Jeff VanderMeer as "one of the best debuts of this or any other year" and went on to be shortlisted for both the BSFA Award and British Fantasy Award for best novel.Billy Braid has been raised in an idyllic mountain backwater, aiding Master Kim to craft strangely sentient sylvans from carefully cultivated trees. Then the outside world impinges, and Billy is tasked with delivering a sylvan to the Sunshine City of Karpentine. Upon his arrival, Billy falls in with a young Weathermaker, Paraphernalia, who proves to be fascinating and infuriating in equal measure. But all is not well in the Sunshine City, and Billy is soon embroiled in Machiavellian intrigues he is ill-equipped to understand, as the city's ruling Guilds - the Constructors, Inksmiths, Weathermakers and more - jostle for status and power, seeing him as the key.. Queen of Clouds is a delight; a fast-paced tale set in a richly imagined world. Wooden automata, sentient weather, talking cats, compellant inks, a tower of hands built from the casts provided by the city's many visitors, and a host of vividly realised characters provide the backdrop as the drama rushes to its stunning climax.

  • av Neil Williamson
    158,-

  • av Neil Williamson, Cameron Johnston & Elaine Gallagher
    188,-

  • av Neil Williamson
    234,-

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