Bøker av Nathalie Herschdorfer

Covering the history, art and science of photography, this book features over 300 photographs.

Published in connection with an exhibition opening at Photo Elysée in spring 2024, this book presents more than 150 of Man Ray's portraits, primarily from the 1920s and 30s. Man Ray (1890-1976) was a man both of and ahead of his time. With his conceptual approach and innovative techniques, he liberated photography from previous constraints and opened the floodgates to new ways of thinking about the medium. A close friend of Marcel Duchamp and André Breton, he was one of the few photographers to be mentioned among the Dada artists and Surrealists. He also worked as a fashion photographer, first for Vogue, and later for Harper's Bazaar and Vanity Fair. Renowned as the creator of Ingres' Violin - a photograph from 1924 that broke records when it was sold for $12.4 million in 2022 - Man Ray remains an influential figure in the worlds of art, fashion and pop culture, with many other artists referencing his work. Published in connection with an exhibition at Photo Elysée and in the centenary year of the publication of André Breton's Surrealist Manifesto, this book presents more than 150 of Man Ray's portraits, primarily from the 1920s and 30s. It includes portraits of the leading lights of the Paris art scene, among them Marcel Duchamp, Robert Delaunay, Georges Braque, Alberto Giacometti and Pablo Picasso, as well as a selection of his fashion work. As an innovator of photographic techniques and compositional form, Man Ray found the studio portrait - be it of the artists and writers with whom he had longstanding friendships, or of the objects and sculptures he collected - to be the playground in which he could express the visual wit and experimentation for which he is renowned.

Timeless, evocative, and hauntingly beautiful photocollages in a retrospective monograph by a truly innovative image maker whose female gaze transformed fashion photography.

The definitive survey of contemporary photography of the human body.

In Laura Letinsky: Time's Assignation the Polaroid--now an anachronistic format, a leftover of photographic history--is conjoined with the photographer's trademark subject matter: the remains of meals and appetites never entirely sated.Chicago-based photographer Laura Letinsky (born 1962) used Polaroid Type 55 film as part of her working process until the film was discontinued in 2008, exploring focus, composition, exposure and light in black-and-white instant photographs as she worked up to the larger-scale color works for which she is best known. Like sketches, the photographs in this volume--small, slow and raw--reveal a process of asking. This way or that? More or less? Now or then?A Polaroid is a fugitive thing, beautiful in its decomposition, subject to change as much as the still life compositions of ripe fruits and nibbled foods that Letinsky arranges. Time's Assignation collects Polaroids taken by the photographer in her studio between 1997 and 2008, now stabilized, their high-key tones slipping into white veils and darker tones metallized in hues of taupe, gold and gunmetal gray. These photographs offer a record of Letinsky's working process, but are a compelling body of photographic work in their own right, exploring time's unrelenting progression in their subject matter and materiality.

Le Corbusiers development was inextricably connected to the rise of the centurys popular visual medium: photography. This book traces the many ways in which he used photography to define and disseminate his work and ideas around the world.