Bøker av Molly Keane

I do know how to behave - believe me, because I know. I have always known...'Behind the gates of Temple Alice the aristocratic Anglo-Irish St Charles family sinks into a state of decaying grace. To Aroon St Charles, large and unlovely daughter of the house, the fierce forces of sex, money, jealousy and love seem locked out by the ritual patterns of good behaviour. But crumbling codes of conduct cannot hope to save the members of the St Charles family from their own unruly and inadmissible desires. This elegant and allusive novel established Molly Keane as the natural successor to Jean Rhys.

Silverue -- an enchanting Irish mansion -- is owned by one of the most frightening mothers in fiction -- the indomitable, oppressively girlish Lady Bird. Blessed with wealth and beautiful children she has little to worry about except the passing of the years and the return of her son John's sanity. To help her through the potentially awkward occasion of John's return from the asylum she has enlisted the support of Eliza, a woman she believes to be her confidante. But Eliza has her own secrets and John's homecoming will prove the catalyst for revelations which Lady Bird would much rather leave buried.

Those who suffered because of her might think of Mary that she hurt others, herself she could not hurt; but Jer, knowing her better...knew she hurt herself perhaps most deeply. Since the death of her parents, Roguey, Maeve and Jer have cared for one another and for Sorristown, their elegant home. Together they have fished and hunted, unravelled secrets by bedroom fires and sipped gin cocktails. But this pattern of intimacy is about to be broken by Maeve's marriage to Rowley. A week before the wedding, her bridesmaid Mary arrives. Meeting her for the first time Rowley describes Mary as a 'factor for disturbance', little realising the extent to which his prophecy will prove true for each of them.

Prudence, at nineteen, is reckless, laughing, wild; the despair of her elderly guardians. With her best friend, the subversive but very female Peter, she rackets round the Irish countryside among her beloved horses and dogs. But she feels betrayed by Peter's growing interest in the new Master of Hounds, 'Saxon' Major Anthony Countless. And what is Prudence to make of handsome Toby Sage, neighbour, huntsman and accredited flirt? Or of an inexplicable haunting? First published in 1928, this high-spirited novel with its subtle erotic undercurrents, is a glorious story of a ramshackle, tolerant society and of Prudence's turbulent coming of age.

Angel, formidable hostess, social charmer and mother par excellence, confidently awaits the return of her little boy from the trials of war. She could not anticipate that the teenager who went away will return a grown man - bronzed and world-weary - a sophisticated American widow on his arm. Nor could she anticpate that her irrepressible daughter Slaney will similarly throw herself into romance (without asking her advice) and even her niece Tiddley will show an unexpected determination in getting on with her life. Faced with domestic insurrection on a grand scale, Angel will have to sharpen her wits to maintain her tyranny.

In the early 1900s Easter lives with her Aunt Brenda, her cousins Evelyn and Basil, and their Great-Aunt Dicksie in an imposing country house, Puppetstown, which casts a spell over their childhood. Here they spend carefree days taunting the peacocks in Aunt Dicksie's garden, shooting snipe and woodcock, hunting, and playing with Patsy, the boot boy. But the house and its inhabitants are not immune to the 'little, bitter, forgotten war in Ireland' and when it finally touches their lives all flee to England. All except Aunt Dicksie who refuses to surrender Puppetstown's magic. She stays on with Patsy, living in a corner of the deserted house while in England the cousins are groomed for Society. But for two of them those wild, lost Puppetstown years cannot be forgotten.

To Ballinrath House, where purple bog gives way to slate-coloured mountains, comes Allan to visit his Irish cousins. No sooner has he arrived than he falls in love with Cousin Ann, though it seems that she only has eyes for Captain Dennys St Lawrence.

Grania and Sylvia Fox live in the Georgian house of Aragon, with their mother, their Aunt Pidgie and Nan O'Neill, the family nurse. Grania is conducting a secret affair with Nan's son, Foley, a wily horse-breeder, whilst Sylvia who is 'pretty in the right and accepted way' falls for the charms of Captain Purvis. Attending Aragon's strawberry teas, the British Army Officers can almost forget the reason for their presence in Ireland. But the days of dignified calm at Aragon are numbered, for Foley is a member of Sinn Fein.

Durraghglass is a beautiful mansion in Southern Ireland, now crumbling in neglect. The time is the present - a present that churns with the bizarre passions of its owners' past. The Swifts - three sisters of marked eccentricity, defiantly christened April, May and Baby June, and their only brother, one-eyed Jasper - have little in common, save vivid memories of darling Mummy, and a long lost youth peculiarly prone to acts of treachery. Into their world comes Cousin Leda from Vienna, a visitor from the past, blind but beguiling - a thrilling guest. But within days, the lifestyle of the Swifts has been dramatically overturned - and desires, dormant for so long, flame fierce and bright as ever.

Jessica and Jane have been living together for six months and are devoted friends - or are they? Jessica loves her friend with the cruelty of total possessiveness; Jane is rich, silly, and drinks rather too many brandy-and-sodas.Watching from the sidelines, their friend Sylvester regrets that Jane should be 'loved and bullied and perhaps even murdered by that frightful Jessica', but decides it's none of his business. When the Irish gentleman George Playfair meets Jane, however, he thinks otherwise and entices her to Ireland where the battle for her devotion begins.

One glorious gothic mansion - Garonlea - and two rather different ladies who would be Queen . . .Lady Charlotte French-McGrath has successfully ruled over her family with a rod of iron until the arrival of Cynthia: beautiful, young, talented, selfish - and engaged to her son Desmond.When Cynthia enters the Jazz Age, on the surface her life passes in a whirl of hunting, drinking and romance. But the ghosts of Garonlea are only biding their time: they know the source of their power, a secret handed on from one generation to the next.

Angel, formidable hostess, social charmer and mother par excellence, confidently awaits the return of her little boy from the trials of war. She could not anticipate that the teenager who went away will return a grown man - bronzed and world-weary - a sophisticated American widow on his arm. Nor could she anticpate that her irrepressible daughter Slaney will similarly throw herself into romance (without asking her advice) and even her niece Tiddley will show an unexpected determination in getting on with her life. Faced with domestic insurrection on a grand scale, Angel will have to sharpen her wits to maintain her tyranny.

In 1914, when Nicandra is eight, all is well in the grand Irish estate, Deer Forest. Maman is beautiful and adored. Dada, silent and small, mooches contendedly around the stables. Aunt Tossie, of the giant heart and bosom, is widowed but looks splendid in weeds. The butler, the groom, the landsteward, the maids, the men - each as a place and knows it. Then, astonishingly, the perfect surface is shattered; Maman does something too dreadful ever to be spoken of.'What next? Who to love?' asks Nicaranda. And through her growing up and marriage her answer is to swamp those around her with kindness - while gradually the great house crumbles under a weight of manners and misunderstanding.

A range of beautifully produced products celebrating the heritage of the Virago Modern Classics list.

A range of beautifully produced products celebrating the heritage of the Virago Modern Classics list.