Bøker av Milan Kundera

In this novel - a story of irreconcilable loves and infidelities - Milan Kundera addresses himself to the nature of twentieth-century 'Being' In a world in which lives are shaped by irrevocable choices and by fortuitous events, a world in which everything occurs but once, existence seems to lose its substance, its weight.

This breathtaking, reverberating survey of human nature finds Kundera still attempting to work out the meaning of life without losing his acute sense of humour. It is one of those great unclassifiable masterpieces that appear once every twenty years or so. 'It will make you cleverer, maybe even a better lover.

The various parts follow each other like the various stages of a voyage leading into the interior of a theme, the interior of a thought, the interior of a single, unique situation the understanding of which recedes from my sight into the distance.

The effect is at its most acute in a couple where our existence is given meaning by our perception of a lover, and theirs of us. With his astonishing skill at building on and out from the significant moment, Kundera has placed such a situation and the resulting wave of panic at the core of the novel.

A man and a woman meet by chance while returning to their homeland, which they had abandoned 20 years earlier when they chose to become exiles. Will they manage to pick up the thread of their strange love story, interrupted as soon as it began and then lost in the tides of history?

Disconcerted and enchanted, the reader follows him through a midsummer's night in which two tales of seduction, separated in time by more than two hundred years, interweave and oscillate between the sublime and ridiculous. As Kundera's readers would expect, Slowness is at the same time a formidable display of existential analysis.

Søstrene Agnes og Laura er to motpoler av kvinnelighet, den ene rolig og reflektert, den andre ustabil og dramatisk. Mellom dem står Paul, som er gift med Agnes, men som Laura vil ha. En roman om kjærligheten, livet og døden, det trivielle og meningsfylte, kunsten og erotikken, tilfeldighetene, refleksjonen og udødeligheten.

A chance encounter leads a man to spend the afternoon with an older woman who escaped him 15 years earlier. trapped between her dead husband and a son who rejects everything that is youthful in her, she has allowed herself to age almost beyond recognition. The man's assessment of her appearance is brutal.

The classic of literary criticism from one of the world's greatest novelists. In seven independent, but closely related chapters, Milan Kundera presents his personal conception of the European novel, which he describes as 'an art born of the laughter of God'. 'Invigoratingly suggestive .

A provocative and rousing insight into European politics from one of the world's greatest writers. 'One of his most powerful works.' Financial Times'A pan-European intellectual force.' TimesIn a moment of historic peril and uncertainty in mainland Europe, Milan Kundera makes the case for Central Europe as the nucleus of European values and as a lightning rod for its potential dangers. For the countries that make up this region where democracy is under continued threat from Russian oppression, language and culture play an active role in affirming national identity. And each of these countries - Hungary, Poland, the Czech Republic and Slovakia - has been historically overlooked by the major powers of Western Europe. But Kundera cautions that this blindness puts Europe's cultural and political independence at risk, a warning that feels increasingly relevant to our current moment, and our future.

A provocative and rousing essay collection from one of Europe's greatest writers. The people of Central Europe cannot be separated from European history;

A short collection of brilliant early essays that offers a fascinating context for the Milan Kundera's subsequent career and holds a mirror to much recent European history. It is also remarkably prescient with regard to Russia's current aggression in Ukraine and its threat to the rest of Europe.Milan Kundera's early nonfiction work feels especially resonant in our own time. In these pieces, Kundera pleads the case of the ?small nations? of Europe who, by culture, are Western with deep roots in Europe, despite Russia imposing its own Communist political regimes in Hungary, Czechoslovakia, Poland, Ukraine, and elsewhere. Kundera warns that the real tragedy here is not Russia but Europe, whose own identity and culture are directly challenged and threatened in a way that could lead to their destruction. He is sounding the alarm, which chimes loud and clear in our own twenty-first century.The 1983 essay translated by Edmund White (?The Tragedy of Central Europe?), and the 1967 lecture delivered to the Czech Writers' Union in the middle of the Prague Spring by the young Milan Kundera (?Literature and the Small Nations?), translated for the first time by Linda Asher, are both written in a voice that is at once personal, vehement, and anguished. Here, Kundera appears already as one of our great European writers and truly our contemporary. Each piece is prefaced by a short presentation by French historian Pierre Nora and Czech-born French political scientist Jacques Rupnik.

Jacques and His Master is a deliciously witty and entertaining "variation" on Diderot's novel Jacques le Fatalist, written for Milan Kundera's "private pleasure" in the aftermath of the Russian invasion of Czechoslovakia.When the "heavy Russian irrationality" fell on Czechoslovakia, Milan Kundera explains, he felt drawn to the spirit of the eighteenth century—"And it seemed to me that nowhere was it to be found more densely concentrated than in that banquet of intelligence, humor, and fantasy, Jacques le Fataliste."The upshot was this "Homage to Diderot," which has now been performed throughout the United States and Europe. Here, Jacques and His Master, newly translated by Simon Callow, is a text that will delight Kundera's admirers throughout the English-speaking world.

Casting light on the most serious of problems and at the same time saying not one serious sentence, being fascinated by the reality of the contemporary world and at the same time completely avoiding realism—that’s The Festival of Insignificance. Readers who know Kundera’s earlier books know that the wish to incorporate an element of the “unserious” in a novel is not at all unexpected of him. In Immortality, Goethe and Hemingway stroll through several chapters together, talking and laughing. And in Slowness, Vera, the author’s wife, says to her husband, “You’ve often told me you meant to write a book one day that would have not a single serious word in it. . . . I warn you: watch out. Your enemies are lying in wait.”Kundera is finally and fully realizing his old aesthetic dream in this novel, which we may easily view as a summation of his whole work. A strange sort of summation. Strange sort of epilogue. Strange sort of laughter, inspired by our time, which is comical because it has lost all sense of humor. What more can we say? Nothing. Just read.

Milan Kundera’s brilliant new collection of essays is a passionate defense of art in an era that, he argues, no longer values art or beauty. With the same dazzling mix of emotion and ideas that characterizes his bestselling novels, the internationally acclaimed author revisits the artists whose works help us better understand what it means to be human. Elegant, startlingly original, and provocative, Encounter combines many of the author’s signature themes with personal reflections and stories.

"Kundera once more delivers a seductive, intelligent entertainment ... [with] elegance and grace." -- Washington Post Book World"Nothing short of masterful." -- NewsweekA brilliant novel set in contemporary Prague, by one of the most distinguished writers of our time.A man and a woman meet by chance while returning to their homeland, which they had abandoned 20 years earlier when they chose to become exiles. Will they manage to pick up the thread of their strange love story, interrupted almost as soon as it began and then lost in the tides of history? The truth is that after such a long absence "their memories no longer match." We always believe that our memories coincide with those of the person we loved, that we experienced the same thing. But this is just an illusion. Only those who return after 20 years, like Ulysses returning to his native Ithaca, can be dazzled and astounded by observing the goddess of ignorance first-hand.Kundera is the only author today who can take dizzying concepts such as absence, memory, forgetting, and ignorance, and transform them into material for a novel, masterfully orchestrating them into a polyphonic and moving work.

Milan Kundera's lightest novel, a divertimento, an opera buffa, Slowness is also the first of this author's fictional works to have been written in French.Disconcerted and enchanted, the reader follows the narrator of Slowness through a midsummer's night in which two tales of seduction, separated by more than two hundred years, interweave and oscillate between the sublime and the comic. Underlying this libertine fantasy is a profound meditation on contemporary life: about the secret bond between slowness and memory, about the connection between our era's desire to forget and the way we have given ourselves over to the demon of speed. And about "dancers" possessed by the passion to be seen, for whom life is merely a perpetual show emptied of every intimacy and every joy.

The author of the modern classic novel "The Unbearable Lightness of Being" (more than 700,000 copies sold), and one of the masters of twentieth-century fiction, composes a brilliant essay that celebrates the art of the novel --

Romanen handler om kjærlighet, erotikk, trofasthet og alvor. Det handler om Tereza og Tomas og deres samliv i Tsjekkoslovakia før og etter 1968. Tomas mister jobben som kirurg, selv om "landet" trenger ham, fordi han ikke vil bøye seg for diktaturets lover.

Et møte er en samling velskrevne essay om litteratur og kunst av verdensforfatteren Milan Kundera.«Jeg kan ikke se for meg at noen kan lese denne boken uten å bli utfordret og opplyst, underholdt, forbløffet og opphisset, og til slutt begeistret.»John Simon, The New York Times Book ReviewMilan Kunderas nye samling essay er et lidenskapelig forsvar for kunsten, i en tid som ikke lenger setter pris på verken kunst eller skjønnhet. Med den samme blanding av følelser og ideer som kjennetegner hans bestselgende romaner, møter forfatteren kunstuttrykk som hjelper oss å forstå hva det innebærer å være menneske. I Et møte kombineres på en elegant, vittig og original måte mange av de temaene som er typiske for Kundera, med personlige refleksjoner og historier. «En bemerkelsesverdig samling som viser frem forfatterens mangfoldige interesser og lysende talent .... Kundera ser på hvordan eksilet og fremmedgjorthet innvirker på kunst og kreativitet.» New York Journal of Books"Dypt personlig og varmt innbydende ... Et møte fungerer som en mobiliseringsordre for en kultur på randen av å miste sin kunstneriske troverdighet."Time Out New York

Boka inneholder 7 essays om romankunsten. Forfatteren reflekterer og videreutvikler sine tanker fra de to tidligere verkene Romankunsten og Forrådte testamenter. Essayene tar for seg høydepunkter i litteraturhistorien, viser hvordan ulike verk står i dialog med hverandre på tvers av landegrenser, og hvordan romanen er i stand til å avsløre ukjente sider av menneskelivet.