Bøker av Mike Bartlett

Five ambitious and exciting plays by the multi-award-winning playwright, hailed as 'one of the prime movers in a new golden generation of British playwrights' (Independent), and introduced by the author.Earthquakes in London (National Theatre Headlong, 2010) is an epic drama about climate change, population explosion, social breakdown and worldwide paranoia, travelling from 1968 to 2525 and back again. 'The theatrical equivalent of a thrilling roller-coaster ride' (Daily Telegraph)Love, Love, Love (Paines Plough Drum Theatre Plymouth, UK tour, 2010; Royal Court Paines Plough, 2012) examines the baby boomer generation, from coming-of-age in the 1960s to retirement-age more than forty years later, in a play that 'does the clash of generational world views with a devastating precision' (Guardian).The Enemy is a short play in which a journalist seizes an opportunity to interview the man who shot Osama bin Laden. It was staged by Headlong as part of Decade (St Katherine's Dock, London, 2011), exploring 9/11 and its legacy.13 (National Theatre, 2011) is a panoramic drama in which a young man returns to London, a city riven by social protest and upheaval, with a radical vision for the future. Premiered on the National's largest stage, it confirmed Bartlett's ability to tackle epic themes with supreme assurance: 'His ambition is distinctive and immense' (Evening Standard).Medea (Headlong, UK tour, 2012) is a startlingly modern version of Euripides' tragedy, exploring a woman's private fury at her husband's infidelity, while imprisoned in her marital home. 'A savage play for today, superbly well done' (Mail on Sunday)

When noble heroine Miss Phoebe Virtue receives worrisome news on Instagram that her twin brother Jack may be endangering his reputation in London Town, she decides she must visit herself, and investigate...Set in contemporary, post-pandemic London, full of illicit sex, political hypocrisy and the machinations of a fame-hungry elite, Scandaltown is a comedy for the new Restoration of the theatres.Mike Bartlett's play was first produced by the Lyric Hammersmith Theatre, in association with Fictional Company, at the Lyric in April 2022, directed by Artistic Director Rachel O'Riordan.'[Mike Bartlett] is one of the prime movers in a new golden generation of British playwrights' Independent'A rambunctious, modern-day Restoration comedy... a springtime pantomime with knowing humour, smut, silliness and arch references to the hypocrisies of the state... joyfully silly stuff' - Guardian'Laugh-out-loud funny... the mashup of Restoration cadences and modern argot is spot on' - Evening Standard'Extremely funny... Bartlett's writing is always clever and lively, and he hits his targets' - WhatsOnStage

Produced by nabokov in association with the Bush Theatre, Artefacts by Mike Bartlett is published to coincide with the world premiere on 20 February, 2008.

In the ruins of a garden in rural England, in a house which was once a home, one woman searches for seeds of hope. Albion is a new play by Mike Bartlett, premiering at the Almeida Theatre, London, in October 2017 in a production directed by Rupert Goold.

Mike Bartlett's complete scripts for his superlative television drama series, winner of Best New Drama at the 2016 National Television Awards.

A darkly comic play that explores the unexpected, bewildering, and life-changing consequences of challenging the status quo at a global level.

But that''s what this is, isn''t it? The ultimate bitch fight.When John takes a break from his boyfriend, his accidentally meets the girl of his dreams. Filled with guilt and indecision, he decides there is only one way to straighten this out . . . Mike Bartlett''s metrosexual play about love and longing provides us with questions of who we are and who we want to be. John''s refusal to fix his identity disturbs and disrupts the lives of those around him in this contemporary tale of sex without nudity and struggle without violence. Mike Bartlett''s punchy story takes a playful, candid look at one man''s sexuality and the difficulties that arise when you realise you have a choice.Cock premiered at the Royal Court Theatre, London, on 13 November 2009.It is published here in the Modern Classics series, featuring an introduction by Mark O''Thomas.

A provocative play that invites us to spy on a family as they embark on a dangerous new way to live.

Love, Love, Love, the latest play by Olivier award winning writer Mike Bartlett, explores whether the baby boomer generation is to blame for the debt-ridden and adrift generation of their children, now adults but far from stable and settled.

A controversial 'future history play' explores the people beneath the crowns, the unwritten rules of our democracy, and the conscience of Britain's most famous family.

A touching, funny play about what happens when you hate your best friend, from the acclaimed writer of Cock.

This first collection of Mike Bartlett's plays showcases the adroit expertise and flair of a writer known for laser-sharp political comment, tight dialectics and needlingly real characters. Charting Mike Bartlett's stellar rise as a playwright, this volume is introduced by Sacha Wares.

An all-pervasive fear of the future and a guilty pleasure in the excesses of the present drive Mike Bartlett's epic rollercoaster of a play from 1968 to 2525 and back again.

A razor-sharp, acid-tongued new play by Mike Bartlett, one of the UK's most exciting and inventive young writers. Two jobs. Three candidates. This would be a really bad time to have a stain on your shirt... Bull opened at Crucible Studio Theatre, Sheffield, in February 2013 in a Sheffield Theatres Production, directed by Clare Lizzimore. 'Sinewy, stinging, witty... it's as if Bartlett has taken the nastiest needling from a Mamet or a Pinter play and put them into a space of pure verbal aggression' The Times 'A writer with a startling breadth of ambition coupled with an ear for dialogue unmatched by many of his contemporaries... Bull taps into something incredibly relevant and potent' Exeunt Magazine

My Child is a gut-wrenching exploration of the lengths a father will go to to have access to his child. It was published to coincide with the world premiere at the Royal Court Theatre, London, in May 2007.