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In January 2003, Kenya was hailed as a model of democracy after the peaceful election of its new president, Mwai Kibaki. By appointing respected longtime reformer John Githongo as anticorruption czar, the new Kikuyu government signaled its determination to end the corrupt practices that had tainted the previous regime. Yet only two years later, Githongo himself was on the run, having secretly compiled evidence of official malfeasance throughout the new administration. Unable to remain silent, Githongo, at great personal risk, made the painful choice to go public. The result was a Kenyan Watergate. Michela Wrong's account of how a pillar of the establishment turned whistle-blower?becoming simultaneously one of the most hated and admired men in Kenya?grips like a political thriller while probing the very roots of the continent's predicament.
A gripping account of both an individual caught on the horns of an excruciating moral dilemma and a continent at a turning point.When Michela Wrong's Kenyan friend John Githongo appeared one cold February morning on the doorstep of her London flat, carrying a small mountain of luggage and four trilling mobile phones he seemed determined to ignore, it was clear something had gone very wrong in a country regarded until then as one of Africa's few budding success stories.Two years earlier, in the wave of euphoria that followed the election defeat of long-serving President Daniel arap Moi, John had been appointed Kenya's new anti-corruption czar. In choosing this giant of a man with a booming laugh, respected as a longstanding anti-corruption crusader, the new government was signalling to both its own public and the world at large that it was set on ending the practices that had made Kenya an international by-word for sleaze.Now John was on the run, having realised that the new administration, far from breaking with the past, was using near-identical techniques to pilfer public funds. John's tale, which has all the elements of the political thriller, is the story of how a brave man came to make a lonely decision with huge ramifications. But his story transcends the personal, touching as it does on the cultural, historical and social themes that lie at the heart of the continent's continuing crisis.Tracking this story of an African whistleblower who started out as a pillar of the establishment, Michela Wrong seeks answers to the questions that have puzzled outsiders for decades. What is it about African society that makes corruption so hard to eradicate, so sweeping in its scope, so destructive in its impact? Why have so many African presidents found it so easy to reduce all political discussion to the self-serving calculation of which tribe gets to "e;eat"e;? And at what stage will Africans start placing the wider interests of their nation ahead of the narrow interests of their tribe?
A story of grim comedy amid the apocalypse and a celebration of the sheer indestructibility of the human spirit in a nation run riot: Michela Wrong's vision of Congo/Zaire during the Mobutu years is incisive, ironic and revelatory.Mr Kurtz, the colonial white master, brought evil to the remote upper reaches of the Congo River. A century after Conrad's 'Heart of Darkness' was first published, Michela Wrong revisits the Congo during the turbulent era of Mobutu Sese Seko.From the heart of Africa comes grotesque confusion: pink-lipsticked rebel soldiers mingle with track-suited secret policemen in hotels where fin de siecle dinner parties are ploughing through vintage wines rather than leave them to the new regime. Congo, the African country richest in natural resources, has institutionalised kleptomania. Everyone is on the take. Someone has even swiped one of the uranium rods from the country's only nuclear reactor.Having presided over unprecedented looting of the country's wealth, Mobutu, like Kurtz, retreated deep within the jungle to his palace of marble floors and gold taps. A hundred years on and nothing has changed.
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