Bøker av Meg Pokrass

In Disappearing Debutantes, disappearing and ever present "female beginners" come-of-age in fantasy and reality. As children, girls, teens, "new adults," middle-aged women, and old women, they keep having their debuts and going unnoticed. Erased by gender, time, age, and those they most want to see them, neglected females become strange in hopes of being loved, being listened to, being understood, and being seen.Though society has no interest in allowing them to make a grand entrance on a life they keep trying to live anew, and though the bloom is long off the rose that never fully opened, each disappearing woman refuses to make a graceful exit or to blossom into the perfect flowery fem society wants her to become. Instead, she boldly celebrates her oddly transformative disappearance from a life that didn't go as planned by exploring a self-charted, self-made, surreal world of love, longing, lust, and lore.

Kissing the Monster Hunter is a book about monster hunters, unseen monsters, perpetual dreamers, and the creatures (human and otherwise) who love them. The unmissable prose poems and micros in this collection thrust us into an alternate reality where hope, love, and intimacy, when gone unrecognized, become a mystical force to be reckoned with.

The House of Grana Padano is a collection of tragi-comic, fabulist microfiction by two modern masters of the form, each story a world unto itself.

A funny/sad portrait of teenage blues and of a small, transplanted family of non-conformists.

The sixth collection of flash fictions from Meg Pokrass represents best in class of the short literary form.

The Best Microfiction anthology series provides recognition for outstanding literary stories of 400 words or fewer. Co-edited by award-winning microfiction writer/editor Meg Pokrass, and Flannery O'Connor Prize-winning author Gary Fincke, the anthology features the well-known novelist and short story writer Dan Chaon serving as final judge, an exclusive craft-oriented interview with the great Etgar Keret, and an essay about the current state of microfiction written by Robert Scotellaro. The inaugural edition, Best Microfiction 2019, features eighty seven of the world's best very short stories.