Bøker av Maurice Blanchot

This book is a translation of Maurice Blanchot's work that is of major importance to late 20th-century literature and philosophy studies. Using the fragmentary form, Blanchot challenges the boundaries between the literary and the philosophical. With the obsessive rigor that has always marked his writing, Blanchot returns to the themes that have haunted his work since the beginning: writing, death, transgression, the neuter, but here the figures around whom his discussion turns are Hegel and Nietzsche rather than Mallarme and Kafka.The metaphor Blanchot uses for writing in The Step Not Beyond is the game of chance. Fragmentary writing is a play of limits, a play of ever-multiplied terms in which no one term ever takes precedence. Through the randomness of the fragmentary, Blanchot explores ideas as varied as the relation of writing to luck and to the law, the displacement of the self in writing, the temporality of the Eternal Return, the responsibility of the self towards the others.

The fourth volume of Blanchot's war-time chronicles reflects a commitment to silence and a detachment from circumstance, as Germany's occupation of France reaches its end. Convinced that disaster is now insuperable, Blanchot neutralizes the nihilism of that position through making it the basis of a new language of human relation.

Features Thomas who upon seeing a women gesture to him from a window of a large boarding house, enters the building and slowly becomes embroiled in its inscrutable workings. Although Thomas is constantly reassured that he can leave the building, he seems to be separated forever from the world he has left behind.

A dystopian novel of post-World War II Europe.

Describes the enigmatic condition of a man and woman alone in a sparsely furnished hotel room who try to remember what has happened to bring them there as they await whatever will happen next. This book tells of their reserved confusion and quiet desperation that impress upon them (and us) the realization that imagination can create reality.

This is the third volume of Maurice Blanchot's war-time Literary Chronicles. Written in 1943, they appeared during the darkest days of the war yet also at a time when real hope for victory was becoming possible. Against the grain of any simple optimism, Blanchot identifies in ruin and disaster a sign and a chance for a mode of human relation that will truly guarantee the future.

Published in France in 1943, Faux Pas is the first collection of essays on literature and language by Maurice Blanchot, the most lucid and powerful French critic of the second half of the 20th century.

Provides a unique perspective on cultural life during the German Occupation, & offers crucial insights into the mind and art of one of the most original writers in the second half of the twentieth century

Provides a unique perspective on cultural life during the German Occupation, & offers crucial insights into the mind and art of one of the most original writers in the second half of the twentieth century

Maurice Blanchot is a towering yet enigmatic figure in twentieth-century French thought. Both his fiction and his criticism played a determining role in how postwar French philosophy was written, especially in its intense concern with the question of writing as such. This volume collects his political writings from 1953 to 1993.

29 critical essays and reviews on art, politics, literature, and philosophy document the wide range of Blanchot's interests, from the enigmatic paintings in the Lascaux caves to the atomic era.

This is a a collection of essays by Maurice Blanchot, a key figure in the exploration of the relationship between literature and philosophy. Recurring themes in the essays include:the relation of literature and language to death and the historical, personal, and social function of literature.

Featuring essays originally published in La Nouvelle Revue Francaise, this collection clearly demonstrates why Maurice Blanchot was a key figure in exploring the relation between literature and philosophy.

Explores the process of reading as well as the nature of artistic creativity, all the while considering the relation of the literary work to time, to history, and to death. This work reflects on literature and the unique demand it makes upon our attention.

In this book, Blanchot forcefully distinguishes his critical project from the major intellectual currents of his day, surrealism and existentialism.

Reflects upon efforts to abide in disaster's infinite threat. First published in French in 1980, this title takes up the most serious tasks of writing: to describe, explain, and redeem when possible, and to admit what is not possible. Neither offers consolation.