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This book offers an entertaining study of the facts and fantasies associated with the vacuum cleaner as it evolved from a luxury gimmick to a household necessity. The iconic appliance of twentieth-century domestic revolution, the vacuum cleaner stands at the forefront of radical changes in technology, automation, finance, marketing, hygiene, infrastructure, time-management, domestic labour, and the history of dirt. This appliance also insinuates itself into the dominant phobias of the period, including totalitarianism and nuclear war. Maud Ellmann shows how modern literature, art, and other media have transformed this humble domestic mod con into a curmudgeon, windbag, cannibal, vampire, dictator, infanticidal mother, freedom fighter, mantrap, and lothario.
T.S. Eliot and Ezra Pound dominated English poetry and criticism in the first half of the twentieth century. At the center of their practice is what Maud Ellmann calls the poetics of impersonality. Ellmann's examination yields a set of superb readings of the major poems of the modernist canon.
In this authoritative introduction to her life and work, Maud Ellmann teases out Bowen's strangeness through close readings informed by historical, psychoanalytic, and deconstructive methods of interpretation.
Provides examples of the literary criticism which has emerged from the conjunction between psychoanalysis and post-structuralism. The book defines concepts and methods by tracing the role the story of Oedipus has played in the development of and psychoanalytic theory and criticism.
Abonner på vårt nyhetsbrev og få rabatter og inspirasjon til din neste leseopplevelse.
Ved å abonnere godtar du vår personvernerklæring.