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Charting the porous borderlands of the self and the social through a year of cataclysm, Matt Rader conjures a vision of the present from a deep future.The follow-up to Ghosthawk, Fine is set largely in the Kelowna area of the Okanagan Valley, BC, over the period of June 2021–June 2022. The poems address the extraordinary natural, historical and social events of that period including the June 2021 heat dome and the November 2021 atmospheric river, the ongoing pandemic and resulting social anomie, the public announcement of hundreds of unmarked residential school graves across the country, and the Russian invasion of Ukraine. On a personal level, the poems grapple with questions of disability, illness, trans identity, healing and what a good future might look like. Written in a speculative mood, the poems in Fine look back on the contemporary moment with its terrors and mythopoetic digital scrim from an imagined future, so that the voice itself becomes an incantation, a summoning of a world of survivance and beauty.
Part memoir, part essay, part poetic investigation, the text guides readers through kaleidoscopic meditations on disability, access, vision, redaction, pain, illness, and death. Set primarily in the central Okanagan, it is a codex of references, artifacts and associations that, taken as whole, revisions access as process and art as experience.
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Ved å abonnere godtar du vår personvernerklæring.