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Arguably the most original book of the eighteenth century, A Vindication of the Rights of Woman is a pioneering feminist work.
Writing just after the French and American revolutions, Mary Wollstonecraft firmly established the demand for women's emancipation in the context of the ever-widening urge for human rights and individual freedom that followed in the wake of these two great upheavals.
In Maria, Wollstonecraft pursues in fictional form themes set forth in 'A Vindication of the Rights of Woman.'
Mary Wollstonecraft, often described as the first major feminist, is remembered principally as the author of A Vindication of the Rights of Woman (1792), and there has been a tendency to view her most famous work in isolation. Yet Wollstonecraft's pronouncements about women grew out of her reflections about men, and her views on the female sex constituted an integral part of a wider moral and political critique of her times which she first fully formulated in A Vindication of the Rights of Men (1790). Written as a reply to Edmund Burke's Reflections on the Revolution in France (1790), this is an important text in its own right as well as a necessary tool for understanding Wollstonecraft's later work. This edition brings the two texts together and also includes Hints, the notes which Wollstonecraft made towards a second, never completed, volume of A Vindication of the Rights of Woman.
In these two closely linked works - a travel book and a biography of its author - we witness a moving encounter between two of the most daring and original minds of the late eighteenth century: A Short Residence in Sweden is the record of Wollstonecraft's last journey in search of happiness, into the remote and beautiful backwoods of Scandinavia. The quest for a lost treasure ship, the pain of a wrecked love affair, memories of the French Revolution, and the longing for some Golden Age, all shape this vivid narrative, which Richard Holmes argues is one of the neglected masterpieces of early English Romanticism.Memoirs is Godwin's own account of Wollstonecraft's life, written with passionate intensity a few weeks after her tragic death. Casting aside literary convention, Godwin creates an intimate portrait of his wife, startling in its candour and psychological truth. Received with outrage by friends and critics alike, and virtually suppressed for a century, it can now be recognized as one of the landmarks in the development of modern biography.
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