Bøker av Mary Augusta Ward

First published in 1888, Robert Elsmere was probably the biggest-selling novel of the nineteenth century. Inspired by the religious crises of her father, Mary Augusta Ward tells the story of an Oxford clergyman who begins to doubt the doctrines of the Anglican church after he encounters the work of German rationalists. Rather than becoming an atheist, Elsmere pursues the idea of "constructive liberalism," stressing the importance of social work among the poor and uneducated. The Times called it "a clever attack upon revealed religion", while William Gladstone's copy was annotated with objections to Ward's heterodoxy. In the Victorian age, nothing was more likely to generate publicity than religious controversy, and Robert Elsmere became a runaway success. More than one million copies were sold, generating around £4,000 in royalties, which would today put Ward in the millionaire author bracket. Her earnings would have been higher if it weren't for the absence of international copyright laws when Robert Elsmere was first published. Many cheap US editions were hurriedly produced to cash in on its success. Some were sold as loss leaders for just 4 cents, and other copies were given away free with every cake of Maine's Balsam Fir Soap, conveying the idea that cleanliness was next to godliness. Out of print for twenty-five years, this new edition brings Ward's publishing phenomenon to a new audience. The text is completely reset, and the edition includes: critical introduction by Miriam Elizabeth Burstein explanatory notes extracts from the preface to the Westmoreland edition of Robert Elsmere excerpts from Gladstone's famous review of Robert Elsmere extracts from Ward's The History of David Grieve extract from Ward's The Case of Richard Meynell

Written when the New Woman novel was at the height of its popularity, Helbeck of Bannisdale depicts the tension between a heroine's desire for independence and her love for a man who prefers wifely submission. After her father's death, Laura Fountain struggles with the legacy of his agnosticism and her growing affection for Catholic ascetic Alan Helbeck. She must decide whether love can triumph over religious scruples. Mary Ward's powerful novel captures the drama and conflict of the late nineteenth-century debates surrounding faith, doubt, and a woman's place in society.This scholarly edition, edited by Beth Sutton-Ramspeck, includes: Critical introduction Author biography Select bibliography Ward's introduction to the Westmoreland Edition Dr James Begg's 'The Blight of Popery' Extract from Thomas Henry Huxley's 'Agnosticism and Christianity' Extract from Alys Whithall Pearsall Smith's 'A Reply from the Daughters' Glossary of regional terms, words and phrases used in the text

In settings ranging from village cottages, London slums and hospital wards to fashionable drawing rooms and the Ladies' Gallery of the Houses of Parliament, this novel combines a gripping story with serious issues - socialism, poverty, poaching laws, journalistic ethics, the Woman Question - inspiring critics to liken it to George Eliot's novels.