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A graphic novel adaptation of Karl Marx and Frederik Engels' revolutionary pamphlet on the 200th anniversary of Marx's birth
British satirist and cartoonist Martin Rowson's acerbic chronicles of the evolution--or rather, regression--of politics in the last two decades. In 1997, on top of his regular visual contributions to the Tribune, Martin Rowson--the veteran mouthpiece of the Left of the British Labour Party--started writing a monthly column in the paper's "As I Please" section, which was George Orwell's slot fifty years earlier. Through his columns, Rowson chronicled the changing tides and tsunamis in the current political scene, documenting the rise of nationalism and the right-wing in these prescient musings. Over the next two decades, he pondered everything--the ideological battles inside Labour, the psychopathology of the Tory Party, the London Zoo, the British class system, Doctor Who, terrorism--and anything else that came to mind a day or so before the deadline. Here, for the first time, a selection of these columns has been collected alongside Rowson's other textual journalism, from tiny underground magazines in the United States to contributions to the Guardian, the Independent, and many other mainstream publications, on subjects ranging from the Charlie Hebdo massacre to his favorite books.
Hans HolbeinΓÇÖs 16th-century masterpiece, The Dance of Death, reminds its readers that no one, no matter their rank or position, can escape the great leveller, Death. In a foreboding series of woodcuts, Death, depicted as a skeleton, intrudes on the lives of people from every level of society, from the sailor to the judge, the ploughman to the king. By highlighting our common fate, Holbein exposes the folly of greed and ambition, and in doing so brings a corrupt and callous elite crashing back down to earth.In this darkly satirical update, Guardian cartoonist Martin Rowson sharpens and reshapes HolbeinΓÇÖs vision for the 21st century. Death seizes the City banker by his braces and offers a light to the oligarch; it joins the surgeon in theatre and the Hollywood star on the red carpet. Filled with wit and doom-laden drama, Martin RowsonΓÇÖs The Dance of Death is a masterful reimagining of a book which, in its uncompromising treatment of the rich and powerful, paved the way for the great, levelling craft of political cartooning.
A stocking-fodder sensation of classic Christmas carols told through the brilliantly British medium of pun, by the internationally renowned Guardian cartoonist, Martin Rowson.
Marlowe, searching for his dead partner's killers, is lured into a web of murder, deceit, lust, despair, and, of course, a frantic quest for the Holy Grail. Doped, pistol-whipped, framed by the cops, and going nowhere fast, Marlowe enters a nightmare world where Robert Frost, Norman Mailer, and Edmund Wilson drink in the gloom of a London pub.
Explains how and why cartoons work, why they matter and why the reactions of the offended are often an even blunter political weapon than the cartoons themselves.
A few months after two of his parents had died, Martin Rowson had a dream about the house he grew up in which was crammed with tons and tons of stuff, both physical and emotional. weaving together dreams, family anecdotes and gossip, jokes, advice, history, smells, sounds and sights of the past.
'As with dogs, so with gods - by and large, you should blame the owners.'A particular trait, common to all human civilisations, is the worship of non-human entities with followings of devotees who claim that their reverence can transport them to transcendental heights of complete and unfettered love. Do we mean God?
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