Bøker av Martin Coyle

Practical criticism underlies everything students of English literature do. This book is a practical, step-by-step guide which shows the student how to gain a sense of what a poem or passage of prose or drama is about, how to analyse it and how to build a successful essay.

Literary Terms and Criticism has long been established as the best-selling guide to the study of English literature. It offers a comprehensive introduction to English poetry, drama and the novel, complete with practical advice and tips on how to analyse texts and how to make sense of the critical terms we employ in discussing literature.

A lively introductory guide to English literature from Beowulf to the present day. The authors write in their characteristically lucid style and present the texts in relation to their social, political and cultural contexts. Clear and concise, the updated second edition now features a new final chapter on twenty-first century literature.

Aimed at students wishing to improve their writing skills, this guide deals with the key basics of grammar, punctuation and spelling while also showing students how to construct a sentence, how to build a paragraph and how to structure an essay. This third edition includes an expanded 'Spot the Mistake' section.

This collection of essays is aimed at students who are working on The Merchant of Venice and who are looking for new ways of thinking about the play and new ways of thinking about their own practice as critics.

This text is suitable for students who are beginning linguistics. It assumes no prior knowledge and contains useful suggestions for developing an understanding of the subject.

Introducing the dynamic study of a literary period stretching from 1900 to the Second World War, the book reflects the exciting mix of European avant-garde, writers of the Harlem Renaissance and regional voices within Britain. Three distinct sections explore the major concepts, themes and issues that characterise the literature.

This new collection on Hamlet brings together three traditional essays on the play and sets them alongside nine pieces of modern criticism that reflect the way in which contemporary discussion of Shakespeare is now heavily indebted to the ideas of structuralism, feminism, deconstruction, Marxism and new historicism.