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Marianne Moore scholar Heather Cass White has prepared an edition of poems that, for the first time, presents the full range of Moore's work in its published order, while honouring the complex textual lives of the poems.
Marianne Moore's Observations stands with T. S. Eliot's The Waste Land, Ezra Pound's early Cantos, and Wallace Stevens's Harmonium as a landmark of modern poetry. But to the chagrin of many admirers, Moore eliminated a third of its contents from her subsequent poetry collections while radically revising some of the poems she retained. This groundbreaking book has been unavailable to the general reader since its original publication in the 1920s.Presented with a new introduction by Linda Leavell, the author of the award-winning biography Holding On Upside Down: The Life and Work of Marianne Moore, this reissue of Observations at last allows readers to experience the untamed force of Moore's most dazzling innovations. Her fellow modernists were thrilled by her originality, her "e;clear, flawless"e; language--to them she was "e;a rafter holding up . . . our uncompleted building."e; Equally forceful for subsequent generations, Observations was an "e;eye-opener"e; to the young Elizabeth Bishop, its poems "e;miracles of language and construction."e; John Ashbery has called "e;An Octopus"e; the finest poem of "e;our greatest modern poet."e; Moore's heroic open-mindedness and prescient views on multiculturalism, biodiversity, and individual liberty make her work uniquely suited to our times.Impeccably precise yet playfully elusive, emotionally complex but stripped of all sentiment, the poems in Observations show us one of America's greatest poets at the height of her powers.
A reissue of the 1935 Selected Poems, which, with an Introduction by T. S. Eliot, brought Moore's work to the attention of a wider public. This beautifully designed edition forms part of a series of ten key titles celebrating Faber's publishing over the decades.
Faber Stories, a landmark series of individual volumes, presents masters of the short story form at work in a range of genres and styles.
This is a definitive collection of one of the most genuine, witty and imaginative of twentieth-century American poets, the admired contemporary of Eliot, Pound, Stevens, Williams, H.D. 'Miss Moore's poems form part of the small body of durable poetry written in our time'.
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