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With The Glass Globe, poet Margaret Gibson completes a trilogy distinguished by its meditative focus on the author's experience of her late husband's Alzheimer's disease. In this new collection, she blends elegies of personal bereavement with elegies for the earth during the ongoing global crisis wrought by climate change.
This catalogue is a brief report of Arabic and Syriac manuscripts found at Saint Catherine's Monastery, compiled by Margaret Dunlop Gibson and her sister.
This edition and translation by Gibson first appeared in 1903 and was heralded then as a monumental contribution to a long neglected father of the Eastern Church. A century later, Gibson's unsurpassed rendering of Isho'dad's commentaries remains as valuable as ever.
This edition and translation by Gibson first appeared in 1903 and was heralded then as a monumental contribution to a long neglected father of the Eastern Church. A century later, Gibson's unsurpassed rendering of Isho'dad's commentaries remains as valuable as ever.
This edition and translation by Gibson first appeared in 1903 and was heralded then as a monumental contribution to a long neglected father of the Eastern Church. A century later, Gibson's unsurpassed rendering of Isho'dad's commentaries remains as valuable as ever.
This edition and translation by Gibson first appeared in 1903 and was heralded then as a monumental contribution to a long neglected father of the Eastern Church. A century later, Gibson's unsurpassed rendering of Isho'dad's commentaries remains as valuable as ever.
This edition and translation by Gibson first appeared in 1903 and was heralded then as a monumental contribution to a long neglected father of the Eastern Church. A century later, Gibson's unsurpassed rendering of Isho'dad's commentaries remains as valuable as ever.
This edition and translation by Gibson first appeared in 1903 and was heralded then as a monumental contribution to a long neglected father of the Eastern Church. A century later, Gibson's unsurpassed rendering of Isho'dad's commentaries remains as valuable as ever.
This edition and translation by Gibson first appeared in 1903 and was heralded then as a monumental contribution to a long neglected father of the Eastern Church. A century later, Gibson's unsurpassed rendering of Isho'dad's commentaries remains as valuable as ever.
One Body is Margaret Gibson's most intimate collection of poems to date. Written as if to honour the injunction "Work to simplify the heart", the poems are direct, empathetic, and tender in their study of life and death.
This book takes readers into stories of love, loss, grief and mourning and reveals the emotional attachments and digital kinships of the virtual 3D social world of Second Life. This book shows how a virtual world can change lives and create forms of memory, nostalgia and mourning for both real and avatar based lives.
In this transformative new collection, Margaret Gibson moves inward, taking surprising, mercurial turns of the imagination, guided by an original and probative intelligence. With a clear eye and an open heart, Gibson writes, "How stark it is to be alive"- and also how glorious, how curious, how intimate.
This book takes readers into stories of love, loss, grief and mourning and reveals the emotional attachments and digital kinships of the virtual 3D social world of Second Life. This book shows how a virtual world can change lives and create forms of memory, nostalgia and mourning for both real and avatar based lives.
Brings breathtaking eloquence to what Margaret Gibson describes as "traveling the Way of Alzheimer's" with her husband, poet David McKain. After his diagnosis, Gibson suspended her writing for two years; but then poetry returned, and the creative process became the lightning rod that grounded her and presented a path forward.
In The Vigil, Margaret Gibson adroitly interweaves the voices of four women, mothers and daughters of three generations, who, during the course of a single day, reveal the depths of the legacy of alcoholism in their family. On this one day of startling revelations, the full extent of the family's secrets, kept still in the sweep of the years, begins to emerge. As the history of loss and regret unfolds, the women begin to sense those things within them, yet to be spoken, that have passed down from mother to daughter. In the end, we see the four women poised, however precariously, on the thresholds of trust, candor, forgiveness, and love.
Tina Modotti, known to a few as the beautiful Italian actress in Erich von Stroheim's silent film Greed, was also a dedicated political activist and photographer whose best work has a powerful dignity and integrity. Margaret Gibson's Memories of the Future is based on Modotti's vivid but enigmatic life.
A re-edition of Christian Palestinian Aramaic lectionary. It is presented in Syriac with English annotations to the Greek text of the Gospels.
A vibrant tale of two journeys to St. Catharine's Monastery in Mount Sinai that lead to the discovery of an ancient codex containing an old version of the Syriac Gospels.
In this work, Gibson provides one particular text of the Acts of the Apostles, as well as those of the Minor Catholic Epistles, based on an eighth or ninth century manuscript, preserved at the Convent of St. Catharine in Sinai. The volume also includes a treatise on the Triune nature of God, with an English translation.
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