Bøker av Lydia Davis

The Collected Stories of Lydia Davis is the complete collection of short fiction from the world-renowned Lydia Davis.WINNER OF THE MAN BOOKER INTERNATIONAL PRIZE 2013'What stories. Precise and piercing, extremely funny. Nearly all are unlike anything you've ever read' Metro'I loved these stories. They are so well-written, with such clarity of thought and precision of language. Excellent' William Leith, Evening Standard'Remarkable. Some of the most moving fiction - on death, marriage, children - of recent years. To read Collected Stories is to be reminded of the grand, echoing mind-chambers created by Sebald or recent Coetzee. A writer of vast intelligence and originality' Independent on Sunday'A body of work probably unique in American writing, in its combination of lucidity, aphoristic brevity, formal originality, sly comedy, metaphysical bleakness, philosophical pressure and human wisdom' New Yorker'One of the most respected writers in America' Financial Times'Davis is a high priestess of the startling, telling detail. She can make the most ordinary things, such as couples talking, or someone watching television, bizarre, almost mythical. I felt I had encountered a most original and daring mind' Colm Toibin, Daily TelegraphLydia Davis is the author of one novel and seven story collections, the most recent of which was a finalist for the 2007 National Book Award. She is the recipient of a MacArthur Fellowship and was named a Chevalier of the Order of Arts and Letters by the French government for her fiction and her translations of modern writers including Maurice Blanchot, Michel Leiris and Marcel Proust.

Lydia Davis returns with a timeless collection of essays on literature and language.'Precise, concentrated, lyrical. No one writes like Lydia Davis, and everyone should read her' Hanif Kureishi'A writer as mighty as Kafka, as subtle as Flaubert, and as epoch-making, in her own way, as Proust'(Ali Smith)Lydia Davis gathered a selection of her non-fiction writing for the first time in 2019 with Essays. Now, she continues the project with Essays Two, focusing on the art of translation, the learning of foreign languages through reading, and her experience of translating, amongst others, Flaubert and Proust, about whom she writes with an unmatched understanding of the nuances of their styles.Every essay in this book is a revelation.

A collection of essays on translation, foreign languages, Proust, and one French city, from the master short-fiction writer and acclaimed translator Lydia Davis In Essays One, Lydia Davis, who has been called "e;a magician of self-consciousness"e; by Jonathan Franzen and "e;the best prose stylist in America"e; by Rick Moody, gathered a generous selection of her essays about best writing practices, representations of Jesus, early tourist photographs, and much more. Essays Two collects Davis's writings and talks on her second profession: the art of translation. The award-winning translator from the French reflects on her experience translating Proust ("e;A work of creation in its own right."e; -Claire Messud, Newsday), Madame Bovary ("e;[Flaubert's] masterwork has been given the English translation it deserves."e; -Kathryn Harrison, The New York Times Book Review), and Michel Leiris ("e;Magnificent."e; -Tim Watson, Public Books). She also makes an extended visit to the French city of Arles, and writes about the varied adventures of learning Norwegian, Dutch, and Spanish through reading and translation. Davis, a 2003 MacArthur Fellow and the winner of the 2013 Man Booker International Prize for her fiction, here focuses her unique intelligence and idiosyncratic ways of understanding on the endlessly complex relations between languages. Together with Essays One, this provocative and delightful volume cements her status as one of our most original and beguiling writers.

A selection of essays on writing and reading by the master short-fiction writer Lydia DavisLydia Davis is a writer whose originality, influence, and wit are beyond compare. Jonathan Franzen has called her ΓÇ£a magician of self-consciousness,ΓÇ¥ while Rick Moody hails her as "the best prose stylist in America." And for Claire Messud, ΓÇ£Davis''s signal gift is to make us feel alive.ΓÇ¥ Best known for her masterful short stories and translations, DavisΓÇÖs gifts extend equally to her nonfiction. In Essays One, Davis has, for the first time, gathered a selection of essays, commentaries, and lectures composed over the past five decades. In this first of two volumes, her subjects range from her earliest influences to her favorite short stories, from John AshberyΓÇÖs translation of Rimbaud to Alan CoteΓÇÖs painting, and from the ShepherdΓÇÖs Psalm to early tourist photographs. On display is the development and range of one of the sharpest, most capacious minds writing today.

The first and only novel by Lydia Davis, winner of the Man Booker International Prize 2013.'It surprised me, over and over, to find that I was with such a young man. He was twenty-two when I met him. He turned twenty-three while I knew him, but by the time I turned thirty-five I did not know where he was anymore.'Mislabelled boxes, confusing notes, wrong turnings - such are the obstacles in the way of the unnamed narrator of The End of the Story as she organises her memories of a love affair into a novel. With compassion, wit and what seems to be candour, she seeks to determine what she actually knows about herself and her past, but we begin to suspect, along with her, that given the elusiveness of memory and understanding, any tale retrieved from the past must be fictionBack in print at last, this is Lydia Davis's first - and so far only - novel. 'Extraordinary' Newsday'Brilliant' New Yorker'Breathtakingly elegant' Details'Beautifully written' Marie Claire'Astonishing' ElleLydia Davis is the author of Collected Stories, one novel and six short story collections, most recently Can't and Won't. She is the recipient of a MacArthur Fellowship and was named an Officer of the Order of Arts and Letters by the French government for her fiction and her translations of modern writers, including Gustave Flaubert and Marcel Proust. She won the Man Booker International Prize in 2013.

From one of our most imaginative and inventive writers, a crystalline collection of perfectly modulated, sometimes harrowing and often hilarious investigations into the multifaceted ways in which human beings perceive each other and themselves. A couple suspects their friends think them boring; a woman resolves to see herself as nothing but then concludes she's set too high a goal; and a funeral home receives a letter rebuking it for linguistic errors. Lydia Davis once again proves in the words of the Los Angeles Times "one of the quiet giants in the world of American fiction."

Lydia Davis skriver kortprosa med høy grad av gjenkjennelsesverdi og et høyt språklig nivå. Tekstene kan bestå av én setning. Eller de kan over flere sider utforske kaoset som oppstår gjennom små forstyrrelser i den daglige rutinen. Fortellingene kommer i form av klagebrev, i form av utdrag fra Flauberts korrespondanse; de er inspirert av forfatterensegne drømmer, eller av drømmene til vennene hennes. Det som ikke varierer er kraften i hennes presise prosa. Davis er en skarp observatør. Hun har et skjevt blikk på verden som gir en morsom, gripende og forfriskende leseropplevelse. Tekstene hennes føles alltid som en oppdagelse av det mystiske, det fremmede, det fremmedgjørende og av det uventet fornøyelige.

The collected stories of Lydia Davis kom ut i 2009, og vi har fått lov til å sette sammen vårt eget utvalg av 45 tekster, valgt ut fra hennes fire tekstsamlinger Break it down, Almost no memory, Samuel Johnson is indignant og Varieties of disturbance. Utvalget er vedoversetter Johanne Fronth-Nygren. Hun har også skrevet et etterord somintroduserer leseren for Davis forfatterskap.Lydia Davis' fortellinger er beskjedne, opptar ikke store plassen, smykker seg ikke med etablerte genrebetegnelser, påstår ikke å ha svar på spørsmålene de stiller, avgrenserseg til det infraordinære, det som er så hverdagslig at det stort sett passererubemerket under radaren. Flyktige tanker, automatiske gester, tilfeldigekommentarer, ubevisste utelatelser, mangel på tilstedeværelse. Med presisjonsynliggjør hun det usynlige. Med klarhet gjengir hun det uklare. Derfor blirdet lett til at man etter å ha lest Davis stadig sammenligner dagligdagsesituasjoner med fortellingene hennes. Fortellingene antar arketypiskekvaliteter, dagliglivet byr på illustrasjoner av dem. Det er fristende å si atman begynner å se verden gjennom "daviske" øyne.

Can't and Won't is the new collection from Lydia Davis, one of the greatest short story writers alive.WINNER OF THE MAN BOOKER INTERNATIONAL PRIZE 2013Lydia Davis has been universally acclaimed for the wit, insight and genre-defying formal inventiveness of her sparkling stories.With titles like 'A Story of Stolen Salamis', 'Letters to a Frozen Pea Manufacturer', 'A Small Story About a Small Box of Chocolates', and 'Can't and Won't', the stories in this new collection illuminate particular moments in ordinary lives and find in them the humorous, the ironic and the surprising.Above all the stories revel in and grapple with the joys and constraints of language - achieving always the extraordinary, unmatched precision which makes Lydia Davis one of the greatest contemporary writers on the international stage.Praise for Lydia Davis: 'What stories. Precise and piercing, extremely funny. Nearly all are unlike anything you've ever read'Metro'To read The Collected Stories of Lydia Davis is to be reminded of the grand, echoing mind-chambers created by Sebald or recent Coetzee. A writer of vast intelligence and originality' Independent on Sunday'Among my most favourite writers. Read her now!' A. M. HomesLydia Davis is the author of Collected Stories, one novel and six short story collections, the most recent of which was a finalist for the 2007 National Book Award. She is the recipient of a MacArthur Fellowship and was named an Officer of the Order of Arts and Letters by the French government for her fiction and her translations of modern writers, including Gustave Flaubert and Marcel Proust. She won the Man Booker International Prize in 2013.

The Collected Stories of Lydia Davis is an event in American letters. Lydia Davis is one of our most original and influential writers. She has been called "an American virtuoso of the short story form" (Salon) and "one of the quiet giants . . . of American fiction" (Los Angeles Times Book Review). Now, for the first time, Davis's short stories are collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance."Among the true originals of contemporary American short fiction." -San Francisco Chronicle

NATIONAL BESTSELLERThe New York Times . Los Angeles Times . The Boston GlobeHer stories may be literal one-liners: the entirety of "Bloomington" reads, "Now that I have been here for a little while, I can say with confidence that I have never been here before." Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in "A Small Story About a Small Box of Chocolates," a professor receives a gift of thirty-two small chocolates and is paralyzed by the multitude of options she imagines for their consumption. The stories may appear in the form of letters of complaint; they may be extracted from Flaubert's correspondence; or they may be inspired by the author's own dreams, or the dreams of friends.What does not vary throughout Can't and Won't, Lydia Davis's fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life.

Bob, Son of Battle, is a sheepdog so canny and careful of his flock, so deeply devoted to his master, James Moore, and so admired for his poise and wisdom by the residents of a small village in the rugged mountains of England's North Country, that young though he is, he is already known as Owd Bob. In a recent contest, Bob has proved himself a matchless sheepdog, and if he wins the trophy two more times, he'll be seen as equal to the legendary sheepdogs of yore. But Bob has a real rival: Red Wull, with his docked tail and bristling yellow fur, a ferocious creature, just like his diminutive master, Adam McAdam, a lonely Scot, estranged not only from his English neighbors but from his son, David. McAdam just can't stop belittling this strapping young man, all the more so since David began courting Moore's beautiful daughter Maggie. But what McAdam really wants is for his beloved Wullie to wrest the prize from Bob once and for all. The story takes a darker turn when a troubling new threat to the local flocks emerges. A dog has gone rogue, sneaking out at night to feast on the flesh and blood of the sheep he is bound to protect. Again and again, new sheep fall prey to this relentless predator; again and again, he slips away undetected. This master hunter can only be among the boldest and sharpest of dogs . . . Bob, Son of Battle has long been a beloved classic of children's literature both in America and in England. Here the celebrated author and translator Lydia Davis, who first read and loved this exciting story as a child, has rendered the challenging idioms of the original into fluent and graceful English of our day, making this tale of rival dogs and rival families and the shadowy terrain between Good and Bad accessible and appealing to readers of all ages.