Bøker av Luke Wright

Divorced, and perhaps a little bruised, Luke Wright journeys off the sunken roads of southern England and into himself, pursued by murderous swans, empty car seats, and his father's skeleton clocks.

We all want something to believe in. It's 1987 and Frankie Vah gorges on love, radical politics, and skuzzy indie stardom. But can he keep it all down? Following the multi award-winning What I Learned From Johnny Bevan, Luke Wright's second verse play deals with love, loss and belief, against a backdrop of grubby indie venues and 80s politics.

Logan Dankworth, columnist and Twitter warrior, grew up romanticising the political turmoil of the 1980s. Now, as the EU Referendum looms he is determined to be in the fray of the biggest political battle for years. The third of Luke Wright's trilogy of political verse plays looks at trust and privilege in the age of Brexit.

The Toll combines the elegaic with the anarchic, placing uproarious satire cheek-by-jowl with wild experiments in form and touching poems of parenthood. In this mature follow-up to his best-selling debut, Mondeo Man, Luke Wright captures the strain of austerity Britain, speaking truth to power and registering the toll it takes on us all.

Johnny Bevan, a whip-smart, mercurial kid from a council estate, saves Nick from living his father's safe life, but it ends tragically. Years later, a world-weary Nick is reminded of their friendship. Can Johnny save Nick again? Luke Wright makes his theatre debut with a verse play about friendship, class and a bad idea for a festival.

"e;Wright's book establishes, persuasively, that Coleridge's radicalism, both political and theological, was indeed fleeting and that Coleridge made a very significant contribution to what has been called 'the gathering forces of Toryism.' Further, the book traces Coleridge's adaptation of Hooker as he confronted, theologically, the writings of Sacheverell and Warburton and, ultimately, traces his idea of a clerisy and influence on Gladstone and thus the Oxford Movement."e; --Richard S. Tomlinson, Richland College "e;This erudite analysis of Coleridge's theology will provide scholars and critics with valuable new perspectives on a difficult subject."e; --Duncan Wu, Georgetown University This book is the first systematic historical examination of Samuel Taylor Coleridge's prose religious works. Coleridge (1772-1834), the son of a clergyman, "e;was born and died a communicating member of the Church of England."e; He was a prolific writer on the subject of the relationship between church and state. At age twenty-three, Coleridge published his first theological work, Lectures on Revealed Religion, which focused on the concept of reason facilitating virtue. Luke Wright maintains that this theme unites Coleridge's theological writings, including the posthumous Confessions of an Inquiring Spirit (1935). Although he was an advocate of radical politics in the 1790s, by the time Coleridge published The Friend (1809), he had become high Tory. His major contribution to Anglican religious discourse was the revival of the Tory position on church and state, which saw the two as an organic unity rather than separate entities forming an alliance. His writings were vigorously opposed to the Court Whig theory of church and state. After Coleridge's death in 1834, his arguments were taken up by William Gladstone and carried forward. Wright's careful reconstruction of Coleridge's dedication to church-state issues provides a new perspective on the writer himself and on the intellectual history of early nineteenth-century England. "e;This is an impressively focused work detailing Coleridge's biographical journey through radical politics and high Toryism with an initial and final commitment to Anglicanism, despite encounters and affiliations with other denominations. . . . [A]n original work of scholarship that contributes to an understanding of Coleridge's thought and to the study of church-state theory of the nineteenth century."e; --Claire Colebrook, Pennsylvania State University

Explosive political satire and acerbic wit leap from stage to page in Mondeo Man by Luke Wright. Yummy mummies and debauched Tory grandees mingle with drunk Essex commuters and leering tabloid paps; a small town chip-shop becomes the site of a heart-wrenching story of failed marriage; and a televised manhunt enthrals an entire nation.