Bøker av Luis Camnitzer

A singularly authoritative--yet also anti-authoritative--gathering of a life's work in art, education and activism.For more than half a century, the artist Luis Camnitzer has been concerned with the same things. The essays gathered in this book outline a radically democratic and frequently provocative vision of both art and education. In the first essay, written in 1960, Camnitzer proposes curricular change of the Escuela Nacional de Bellas Artes in Uruguay, part of a collective effort to bring the school up to the ideal level Camnitzer and fellow artists, students, and educators desired. And in the final essay Camnitzer sums up what he would want an art school to be if he applied to one today--suggesting (with typical dry wit) that the first effort to improve art education may not have succeeded. Working across such mediums as printmaking, sculpture, language, and installations, Camnitzer's work investigates how power is exercised and can be challenged in society. An influential teacher, over the six decades covered by this volume, he has interrogated the power structures inherent to the practice of art at the same time as he explores its liberating potential. Many of these texts are published here for the first time. The book offers a singularly authoritative--yet also anti-authoritative--gathering of a life's work in art, education and activism.

A collection of essays that elaborate themes such as art world systems versus an art of commitment; artistic genealogies and how they are consecrated; and, the possibilities for artistic agency.

From 19 November 2013 to 6 April 2014, the Fondation Cartier pour lart contemporain will be showing America Latina 1960-2013, organized in collaboration with the Amparo Museum in Puebla (Mexico). This book offers a perspective on Latin American photography from 1960 to today, focusing on the relationship between text and the photographic image.

An authoritative, firsthand account of conceptualism in Latin American art of the 1960s and 1970s by an artist who was at the forefront of the movement.

A comprehensive look at the works of the first generation of Cuban artists completely shaped by the 1959 revolution.